"Gaîté parisienne: Cancan I" by Jacques Offenbach, Pittsburgh Symphony Orchestra, André Previn was released on January 1, 1982. The duration of Gaîté parisienne: Cancan I is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Gaîté parisienne: Cancan I's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Offenbach: Gaité Parisienne". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Gaîté parisienne: Cancan I's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gaîté parisienne: Cancan I by Jacques Offenbach, Pittsburgh Symphony Orchestra, André Previn having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 "Pathetique" - Instrumental | Ludwig van Beethoven, Murray Perahia | A♭ Major | 0 | 4B | 62 BPM | ||
La Bohème / Act I: "Quando Me'n Vò" | Giacomo Puccini, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Minor | 2 | 11A | 135 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): Peter in the meadow | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | E♭ Major | 0 | 5B | 115 BPM | ||
Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM | ||
The Gadfly Suite, Op. 97a: No. 8 Romance | Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | D♭ Major | 1 | 3B | 133 BPM | ||
Hungarian Dance No.4 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 2 | 11A | 80 BPM | ||
Songs Without Words: Frühlingslied, Op. 62 in A Major: Allegro grazioso | Felix Mendelssohn, Ilmar Lapinsch, Latvian Philharmonic Chamber Orchestra | A Major | 3 | 11B | 89 BPM | ||
Italian Polka | Sergei Rachmaninoff, Brigitte Engerer, Oleg Maisenberg | E♭ Major | 1 | 5B | 103 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann) (arr. M. Rosenthal for orchestra): Ouverture - Barbe-Bleu | Jacques Offenbach, Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | E Major | 3 | 12B | 134 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM |
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