"Vissi D'Arte" by Maria Callas was released on March 3, 2003. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Maria Callas's "Maria Callas Live in Paris 1958" album is number 15 out of 17. Vissi D'Arte is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vissi D'Arte by Maria Callas to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rusalka, Op. 114, B. 203, Act I: Mesícku na nebi hlubokém ("Song to the Moon") | Antonín Dvořák, Frederica von Stade, Seiji Ozawa, Boston Symphony Orchestra | F♯ Major | 1 | 2B | 93 BPM | ||
Les Contes d'Hoffmann (2003 - Remaster), Act II: Les oiseaux dans la charmille :Chanson de la poupéee (Olympia/Chorus) | Jacques Offenbach, Gianna d' Angelo/Choeurs René Duclos/Orchestre de la Société des Concerts du Conservatoire/André Cluytens, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | A♭ Major | 1 | 4B | 103 BPM | ||
Les Pêcheurs de perles, Act I: Je crois entendre encore (Nadir) | Georges Bizet, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | A Minor | 1 | 8A | 86 BPM | ||
Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied) | Erich Wolfgang Korngold, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 1 | 6B | 88 BPM | ||
Miniera | Leo Nucci, Salotto Ottocento Ensemble | A Major | 2 | 11B | 119 BPM | ||
Extrait "Casta Diva" | Maria Callas, Tullio Serafin, Choeur et orchestre du Théâtre de la Scala de Milan | F Major | 1 | 7B | 87 BPM | ||
Carmen (1997 - Remaster), Act I: Voici l'ordre; partez | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D♭ Major | 1 | 3B | 115 BPM | ||
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
I vespri siciliani: Siciliana | Giuseppe Verdi, Maria Callas, RAI Symphony Orchestra, Rome, Tullio Serafin | A Major | 1 | 11B | 96 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM |
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