"Bleib bei uns, denn es will Abend werden, BWV 6: Chorale: Ach bleib bei uns, Herr Jesu Christ (Soprano)" by Johann Sebastian Bach, Yukari Nonoshita, Robin Blaze, James Gilchrist, Dominik Worner, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki was released on July 1, 2007. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 22 out of 25 in Bach, J.S.: Cantatas, Vol. 36 - Bwv 6, 42, 103, 108 by Johann Sebastian Bach, Masaaki Suzuki. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Bleib bei uns, denn es will Abend werden, BWV 6: Chorale: Ach bleib bei uns, Herr Jesu Christ (Soprano) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Bleib bei uns, denn es will Abend werden, BWV 6: Chorale: Ach bleib bei uns, Herr Jesu Christ (Soprano) by Johann Sebastian Bach, Yukari Nonoshita, Robin Blaze, James Gilchrist, Dominik Worner, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM | ||
Gott Hilf Mir, BuxWV 34: Aria "Ach ja, mein Gott, ich hoff auf dich" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Concerto No. 1 In F Major BWV1046 - Allegro | Jordi Savall, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
St. Matthew Passion, BWV 244, Pt. 1: No. 27, So ist mein Jesus nun gefangen | Johann Sebastian Bach, Carolyn Sampson, Damien Guillon, Bach Collegium Japan, Masaaki Suzuki | E♭ Minor | 2 | 2A | 73 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Herz und Mund und Tat und Leben, BWV 147: Accompanied Recitative: Gebenedeiter Mund! (Tenor) | Johann Sebastian Bach, Judith Spiesser, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper | A Major | 2 | 11B | 78 BPM | ||
Aria for Five Voices: Komm, Jesu, komm | Johann Schelle, Dorothee Mields, Kirsten Witmer, Damien Guillon, Thomas Hobbs, Peter Kooij, Philippe Herreweghe, Collegium Vocale Gent | A Major | 1 | 11B | 83 BPM | ||
Missa Divi Xaverii, ZWV 12: Christe eleison | Jan Dismas Zelenka, Hana Blaziková, Collegium 1704, Vaclav Luks | F♯ Minor | 3 | 11A | 171 BPM | ||
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: III. Allegro | Johann Sebastian Bach, Amsterdam Baroque Orchestra, Ton Koopman, Jos Konnings, Ku Ebbinge, Michel Garcin-Marrou, Michel Henry, Monica Huggett, Paul Dombrecht | B♭ Major | 0 | 6B | 125 BPM |
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