Élisabeth Jacquet de La Guerre, Daniela Dolci made "Harpsichord Suite No. 3 in A Minor: V. Sarabande" available on July 31, 2015. With Harpsichord Suite No. 3 in A Minor: V. Sarabande being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Élisabeth Jacquet de La Guerre, Musica Fiorita, Daniela Dolci's "Jacquet de la Guerre: Chamber Music" album is number 26 out of 43. On top of that, Switzerland appears to be the country where this track was created. In terms of popularity, Harpsichord Suite No. 3 in A Minor: V. Sarabande is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Harpsichord Suite No. 3 in A Minor: V. Sarabande by Élisabeth Jacquet de La Guerre, Daniela Dolci to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: I. Grazioso | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Messiah, HWV 56, Pt. 1: Ev'ry Valley Shall Be Exalted | George Frideric Handel, Dino Lüthy, Daniela Dolci, Musica Fiorita | A Major | 0 | 11B | 83 BPM | ||
Trio Sonata in D Major, BuxWV 260: II. Allegro | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Symphony in C Major, H. 659, Wq. 182/3: III. Allegretto | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Concerto grosso in D Minor, op. 8, No. 7 (Ed. G. Sechi): II. Adagio e con affetto | Giuseppe Torelli, Kammerorchester Basel, Julia Schröder | E♭ Major | 4 | 5B | 129 BPM | ||
Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: I. Largo | Joseph Bodin de Boismortier, Peter Whelan, Ensemble Marsyas | A♭ Minor | 0 | 1A | 74 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
Trio Sonata in C Major, BuxWV 256: I. Vivace | Dietrich Buxtehude, Ensemble Mélero | B Major | 3 | 1B | 96 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: II. Sarabande | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | B Minor | 1 | 10A | 128 BPM | ||
Hexachordum Apollinis: No. 2 in E Minor, Aria & 5 Variations, P. 194 | Johann Pachelbel, Enrico Bissolo | E Minor | 3 | 9A | 74 BPM |
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