Johann Pachelbel, Enrico Bissolo made "Hexachordum Apollinis: No. 2 in E Minor, Aria & 5 Variations, P. 194" available on August 19, 2022. Since Hexachordum Apollinis: No. 2 in E Minor, Aria & 5 Variations, P. 194 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Pachelbel: Hexachordum Apollinis, P. 193-198 & Chaconne in C Major, P. 38". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Italy. Hexachordum Apollinis: No. 2 in E Minor, Aria & 5 Variations, P. 194 is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Hexachordum Apollinis: No. 2 in E Minor, Aria & 5 Variations, P. 194 by Johann Pachelbel, Enrico Bissolo having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suitte en Trio No. 3 in E Minor, Op. 1: IV. Gigue | Louis-Antoine Dornel, Musica Barocca | E♭ Minor | 1 | 2A | 57 BPM | ||
Madrigals Libro, No.6: Moro, Lasso, Al Mio Duolo | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): II. Allemanda: Allegro | William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts | E♭ Minor | 2 | 2A | 114 BPM | ||
Suite in D Minor, HWV 448: III. Courante | George Frideric Handel, Fernando De Luca | D♭ Minor | 4 | 12A | 82 BPM | ||
The Gordion Knot Unty'd, Z. 597: Second Music: Air | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 91 BPM | ||
Sonata in C Major, Op. 6, No. 1: II. Larghetto | Tomaso Albinoni, Ensemble Barocco Sans Souci | B Major | 0 | 1B | 103 BPM | ||
Suite in A Major, BWV 1025: VI. Menuet | Silvius Leopold Weiss, Johann Sebastian Bach, Emelie Roos, Dohyo Sol | A♭ Major | 1 | 4B | 135 BPM | ||
Suite No. 5 in G minor for recorder & b.c. – Allemande | Pierre-Danican Philidor, László Rózsa, Jonathan Rees, Alex McCartney | F♯ Minor | 1 | 11A | 80 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Menuett 1/2 | Cologne Chamber Orchestra | A Minor | 0 | 8A | 129 BPM | ||
Joseph and his Brethren HWV 59, Symphony: III. Allegro | George Frideric Handel, La Sfera Armoniosa, Mike Fentross | B Major | 3 | 1B | 181 BPM |
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