"Idomenee: Rigaudon (arr. S.D. Wolff)" by André Campra, S. Drummond Wolff, J. Melvin Butler, Boston Brass was released on October 4, 2011. The duration of Idomenee: Rigaudon (arr. S.D. Wolff) is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Idomenee: Rigaudon (arr. S.D. Wolff)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Out of This World". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. In terms of popularity, Idomenee: Rigaudon (arr. S.D. Wolff) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Idomenee: Rigaudon (arr. S.D. Wolff) by André Campra, S. Drummond Wolff, J. Melvin Butler, Boston Brass having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bembo: Habbi pietà di me | Antonia Bembo, Christina Pluhar, L'Arpeggiata, Céline Scheen | E Minor | 1 | 9A | 70 BPM | ||
Il Giardino d'Amore: Più non m'alletta e piace (Aria) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700, Bruno de Sá | F♯ Minor | 1 | 11A | 98 BPM | ||
Te Deum "de Lyon": XI. Te ergo quæsumus famulis tuis subveni | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
L'Europe Galante, Quatrième entrée, la Turquie: L'Europe Galante, Quatrième entrée "La Turquie": Livrons nos cœurs à la tendresse (Zuliman et Zaïde) | André Campra, Les Nouveaux Caractères, Sébastien d'Hérin, Isabelle Druet, Nicolas Courjal | C Major | 1 | 8B | 132 BPM | ||
Jubilate, o amoeni chori, RV 639 - Gloria in D Major, RV 588: VIII. Qui tollis peccata mundi: Adagio | Antonio Vivaldi, Jane Archibald, Nils Brown, Anita Krause, Aradia Chorus, Aradia Ensemble, Kevin Mallon | E Major | 2 | 12B | 80 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: IV. Courante | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Sonata in A Major for Two Violins and Bass Continuo: II. Untitled | John Blow, Palladian Ensemble | E Major | 1 | 12B | 133 BPM | ||
Stabat Mater in G Minor: V. Vidit suum | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | B Major | 2 | 1B | 81 BPM | ||
21. Coro: Finale Hier liegen wir gerührte Sünder | Georg Anton Kreusser, Domkantorei St. Martin, Karsten Storck, Mainzer Domorchester | F Major | 2 | 7B | 72 BPM | ||
Campra: Messe de requiem: I. Introït | André Campra, John Eliot Gardiner, Jean-Claude Orliac, The Monteverdi Choir, Stephen Roberts, Wynford Evans, English Baroque Soloists | E Major | 2 | 12B | 85 BPM |
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