Matthew Locke, Rachel Podger, Brecon Baroque made "Little Consort in Two Parts for Severall Friends in C minor-major: IV. Courante" available on May 24, 2024. With Little Consort in Two Parts for Severall Friends in C minor-major: IV. Courante being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "The Muses Restor'd". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Little Consort in Two Parts for Severall Friends in C minor-major: IV. Courante is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Little Consort in Two Parts for Severall Friends in C minor-major: IV. Courante by Matthew Locke, Rachel Podger, Brecon Baroque having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata in A Minor, Op. 1 No. 3, BuxWV 254: I. Adagio | Dietrich Buxtehude, Filament | E♭ Minor | 4 | 2A | 111 BPM | ||
Trio Sonata in A Major, A02: II. Allegro | Giuseppe Tartini, Maurizio Schiavo, Ayako Matsunaga, Antonio Papetti, Danilo Costantini, Il Demetrio | A♭ Major | 1 | 4B | 79 BPM | ||
Sonata accademicha in G Minor, Op. 2 No. 5: I. Adagio assai, con grandissima gravità | Francesco Maria Veracini, Rachel Podger, Brecon Baroque | D Major | 1 | 10B | 80 BPM | ||
Golovinmusiken, BeRI 1: No. 8, Presto | Johan Helmich Roman, Höör Barock, Dan Laurin | A♭ Major | 2 | 4B | 143 BPM | ||
Affetti musicali, Op. 1: No. 25, Il Boncio | Biagio Marini, Marino Lagomarsino, Marco Vitali, Massimo Lonardi | D Minor | 1 | 7A | 105 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: I. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Suite No. 1 in G Minor: III. Courante | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | B Major | 1 | 1B | 104 BPM | ||
Violin Sonata in G Minor, Op. 2 No. 3: I. Adagio | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | B Major | 2 | 1B | 111 BPM | ||
The Division Violin: Prelude | Thomas Baltzar, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Sonata No.6 in D Major, Op. 50: I. Largo | Joseph Bodin de Boismortier, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM |
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