Biagio Marini, Marino Lagomarsino, Marco Vitali, Massimo Lonardi made "Affetti musicali, Op. 1: No. 25, Il Boncio" available on January 1, 1994. With Affetti musicali, Op. 1: No. 25, Il Boncio being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Biagio Marini, Massimo Lonardi, Conserto Vago's "Marini: Affetti Musicali" album is number 25 out of 28. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Affetti musicali, Op. 1: No. 25, Il Boncio is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Affetti musicali, Op. 1: No. 25, Il Boncio by Biagio Marini, Marino Lagomarsino, Marco Vitali, Massimo Lonardi to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerts royaux, Concerto No. 2 in D Major: I. Prélude | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | F Minor | 0 | 4A | 101 BPM | ||
Lachrimae or Seven Tears: IV. Lachrimae tristes | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Ludi musici I: 16. Alamande a 4, SSWV 54 | Samuel Scheidt, L'Achéron, François Joubert-Caillet | B Major | 2 | 1B | 92 BPM | ||
Armoniosi concerti sopra la chitarra spagnuola: Brando | Domenico Pellegrini, Pierre Pitzl | A♭ Minor | 0 | 1A | 77 BPM | ||
43 Ghiribizzi, MS 43: 43 Ghiribizzi: n. 13 Allegro, n. Allegro assai, n. 15 Allegro | Niccolò Paganini, Mauro Bonelli | A♭ Major | 2 | 4B | 83 BPM | ||
Sonata a tre in sol minore: II. Adagio | Giovanni Maria Bononcini, Musica Antiqua Latina | F♯ Minor | 1 | 11A | 111 BPM | ||
Violin Sonata No. 1 in D Minor: V. Presto | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | G Major | 2 | 9B | 73 BPM | ||
43 Ghiribizzi, MS 43: 43 Ghiribizzi: n. 16 In cor più non mi sento, n. 17 Le streghe, n. 18 Andantino | Niccolò Paganini, Giovanni Paisiello, Franz Xaver Süssmayr, Mauro Bonelli | A♭ Minor | 1 | 1A | 113 BPM | ||
Gray's Inn | Bülent Oral, Diego Leveric | E♭ Minor | 1 | 2A | 139 BPM | ||
A gigge | Mr Beck, Ronn McFarlane | B Major | 1 | 1B | 76 BPM |
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