"Cleofide: Act I Scene 1: Aria: Che sorte crudele (Cleofide)" by Johann Adolf Hasse, Emma Kirkby, Agnes Mellon, Randalk K. Wong, Derek Lee Ragin, Dominique Visse, David Cordier, Rheinische Kantorei, Cappella Coloniensis, William Christie was released on January 1, 1987. Since Cleofide: Act I Scene 1: Aria: Che sorte crudele (Cleofide) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Adolf Hasse, Emma Kirkby, William Christie's "Hasse, J.A.: Cleofide [Opera] (Kirby)" album is number 3 out of 69. In terms of popularity, Cleofide: Act I Scene 1: Aria: Che sorte crudele (Cleofide) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cleofide: Act I Scene 1: Aria: Che sorte crudele (Cleofide) by Johann Adolf Hasse, Emma Kirkby, Agnes Mellon, Randalk K. Wong, Derek Lee Ragin, Dominique Visse, David Cordier, Rheinische Kantorei, Cappella Coloniensis, William Christie to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Indes galantes, RCT 44, Prologue: Ouverture | Jean-Philippe Rameau, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Major | 2 | 2B | 124 BPM | ||
Cavalli: La Calisto, Act 1: "Piante ombrose" | Francesco Cavalli, Joyce DiDonato, Maxim Emelyanychev | C Minor | 1 | 5A | 137 BPM | ||
Siroe, Re di Persia - Dresden Version, 1763 / Act 1: "La sorte mia tiranna" | Johann Adolf Hasse, Max Emanuel Cenčić, Armonia Atenea, George Petrou | F♯ Major | 3 | 2B | 134 BPM | ||
Platée, Prologue: Ouverture | Jean-Philippe Rameau, Les Arts Florissants, William Christie | G Minor | 2 | 6A | 126 BPM | ||
Vespro della Beata Vergine, SV 206: I. Deus in adiutorium | Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale Gent | G Minor | 1 | 6A | 79 BPM | ||
Siroe, Re di Persia - Dresden Version, 1763 / Act 2: "Tutto si soffra in pace...Che fai, superbo?" | Johann Adolf Hasse, Max Emanuel Cenčić, Mary-Ellen Nesi, Juan Sancho, Armonia Atenea, George Petrou | F♯ Major | 3 | 2B | 134 BPM | ||
Madrigali guerrieri: No. 1, Sonnet by an Anonymous "Altri canti d'Amor, tenero arciero" | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | G Major | 1 | 9B | 123 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Paul Dombrecht | E♭ Minor | 1 | 2A | 114 BPM | ||
Dido and Aeneas, Z. 626, Act III: "Thy Hand, Belinda...When I Am Laid in Earth" | Henry Purcell, Anna Prohaska, Il Giardino Armonico, Giovanni Antonini | B Minor | 0 | 10A | 71 BPM | ||
Te Deum: In Te, Domine, speravi | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | D Minor | 0 | 7A | 78 BPM |
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