"Te Deum: In Te, Domine, speravi" by Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet was released on June 7, 1999. With Te Deum: In Te, Domine, speravi being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jean-Baptiste Lully's "Lully: Grand Motets, Vol. 1" album is number 6 out of 14. On top of that, Hong Kong appears to be the country where this track was created. Te Deum: In Te, Domine, speravi is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Te Deum: In Te, Domine, speravi by Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Herz und Mund und Tat und Leben, BWV 147: Aria: Bereite dir, Jesu, noch itzo die Bahn (Soprano) | Johann Sebastian Bach, Ingrid Kertesi, Jozsef Mukk, Judit Nemeth, Istvan Gati, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Matyas Antal | C Major | 4 | 8B | 88 BPM | ||
Purcell: The Tempest, Z. 631, Act III: Song. "Dry Those Eyes" (Ariel) | Henry Purcell, John Eliot Gardiner, Carol Hall, Monteverdi Orchestra | A♭ Minor | 1 | 1A | 141 BPM | ||
The Second Dirge Anthem: Man That Is Born of a Woman – In the Midst of Life – Thou Knowest, Lord, Z. 58b | Thomas Morley, Henry Purcell, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 135 BPM | ||
Der Herr ist mit mir, BuxWV 15 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | C Minor | 1 | 5A | 72 BPM | ||
Les Fêtes de l'Hymen et de l'amour, Act I Osiris: Act I: Osiris: Scene: Que vous connaissez mal le pouvoir de vos charmes (Osiris) | Jean-Philippe Rameau, Reinoud Van Mechelen, Le Concert Spirituel, Herve Niquet | F♯ Minor | 3 | 11A | 73 BPM | ||
Ariane et Bacchus, Act III: Air. Rigoureuse raison, cédez à la tendresse | Marin Marais, Judith van Wanroij, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet | C Minor | 2 | 5A | 84 BPM | ||
Stabat Mater: IV. Sancta Mater | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Salve Regina: No. 3., Ad te suspiramus | Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pedes: Concerto "Ecce super montes pedes evangelizantis" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | F Minor | 2 | 4A | 131 BPM | ||
Médée, H. 491, Act I: Air. "Que je serais heureux, si j'étais moins aimé" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Cyrille Dubois | G Minor | 3 | 6A | 64 BPM |
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