Johann Adolf Hasse, Max Emanuel Cenčić, Armonia Atenea, George Petrou's 'Siroe, Re di Persia - Dresden Version, 1763 / Act 1: "La sorte mia tiranna"' came out on January 1, 2014. Siroe, Re di Persia - Dresden Version, 1763 / Act 1: "La sorte mia tiranna" is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. The track order of this song in Johann Adolf Hasse, Max Emanuel Cenčić, Julia Lezhneva, Mary-Ellen Nesi, Lauren Snouffer, Juan Sancho, Franco Fagioli, Armonia Atenea, George Petrou's "Hasse: Siroe - Re Di Persia" album is number 13 out of 50. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Siroe, Re di Persia - Dresden Version, 1763 / Act 1: "La sorte mia tiranna"'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Siroe, Re di Persia - Dresden Version, 1763 / Act 1: "La sorte mia tiranna" by Johann Adolf Hasse, Max Emanuel Cenčić, Armonia Atenea, George Petrou to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): I. Largo andante | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 1 | 3B | 96 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 93 BPM | ||
Cello Sonata in F Major, Op. 1, No. 1: II. Allegro | Benedetto Marcello, Collegium Pro Musica | E Major | 1 | 12B | 114 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Attilio Regolo, Act III: Regolo, alfin... (Live) | Johann Adolf Hasse, Axel Köhler, Randall Wong, Cappella Sagittariana Dresden, Frieder Bernius | F♯ Major | 1 | 2B | 135 BPM | ||
Concerto di Flauti, S.D945: III. Presto | Alessandro Marcello, Dorothee Oberlinger | G Major | 1 | 9B | 143 BPM | ||
L'Olimpiade: Consola il genitore - From "L'Olimpiade" | Johann Adolf Hasse, Simone Kermes | C Major | 0 | 8B | 87 BPM | ||
Gluck: Il re pastore, Act 3: "Sol può dir come si trova" (Agenore) | Christoph Willibald Gluck, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge | E♭ Minor | 1 | 2A | 58 BPM | ||
Les Caractères de la Danse: XIV. Sonate | Jean-Féry Rebel, Jordi Savall | D♭ Major | 6 | 3B | 138 BPM | ||
Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM |
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