Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Paul Dombrecht's 'Miserere in C Minor Psalm 50, ZWV. 57' had a release date set for October 31, 2012. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Zelenka: De Profundis, Misere & Requiem by Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monkia Frimmer, Peter de Groot, Ian Honeyman, Peter Kooij, Paul Dombrecht. The song's track number on the album is #3 out of 31 tracks. In terms of popularity, Miserere in C Minor Psalm 50, ZWV. 57 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Miserere in C Minor Psalm 50, ZWV. 57 by Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Paul Dombrecht has a tempo of 114 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Miserere in C Minor Psalm 50, ZWV. 57 being at 114 BPM, the half-time would be 57 BPM with a double-time of 228 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Singet dem Herrn ein neues Lied, BWV 225: II. Coro "Wie sich ein Vat’r erbarmet" - Aria "Gott nimm dich ferner unser an" | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Dorothee Mields, Damien Guillon, Thomas Hobbs, Peter Kooij | A Major | 2 | 11B | 81 BPM | ||
Requiem, Op.48: 5. Agnus Dei (I) | Gabriel Fauré, The Monteverdi Choir, Salisbury Cathedral Boy Choristers, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | D Minor | 0 | 7A | 76 BPM | ||
Sant'Agnese: Vaga rosa (Aria) | Bernardo Pasquini, Núria Rial | D♭ Minor | 0 | 12A | 77 BPM | ||
Missa Tempore Quadragesimae, MH 553: Benedictus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | F♯ Minor | 0 | 11A | 67 BPM | ||
Sub olea pacis, ZWV 175: Symphonia. Allegro. assai | Jan Dismas Zelenka, Ensemble PhilidOr, Musica Florea, Musica Aeterna, Marek Stryncl | D♭ Major | 2 | 3B | 132 BPM | ||
Magnificat en sol mineur, RV 610: VI. Esurientes | Antonio Vivaldi, Jordi Savall, Hanna Bayodi-Hirt, Johannette Zomer, Le Concert Des Nations | A Major | 2 | 11B | 89 BPM | ||
Concerto in A Major - Oboe d'amore, Strings & B.C., Seibel 228: Allegro (3) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | A♭ Major | 2 | 4B | 110 BPM | ||
Magnificat in D Major, BWV 243: VI. Et misericordia | Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Carlos Mena, Hans-Jörg Mammel | F♯ Major | 2 | 2B | 80 BPM | ||
Vivaldi: Magnificat in G Minor, RV 610b: V. Esurientes | Antonio Vivaldi, Andrew Parrott, Emily Van Evera, Nancy Argenta, Taverner Players | B♭ Major | 1 | 6B | 177 BPM | ||
Maddalena ai piedi di Cristo: No. 18 Aria Maddalena "Pompe inutili" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr | F♯ Minor | 1 | 11A | 82 BPM |