Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker made "Mozart: Don Giovanni, K. 527, Act 1 Scene 16: No. 13, Finale, "Presto, presto pria ch'ei venga" (Masetto, Zerlina, Don Giovanni, Chorus)" available on October 31, 1988. With Mozart: Don Giovanni, K. 527, Act 1 Scene 16: No. 13, Finale, "Presto, presto pria ch'ei venga" (Masetto, Zerlina, Don Giovanni, Chorus) being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 6 out of 214. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Mozart: Don Giovanni, K. 527, Act 1 Scene 16: No. 13, Finale, "Presto, presto pria ch'ei venga" (Masetto, Zerlina, Don Giovanni, Chorus) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 1 Scene 16: No. 13, Finale, "Presto, presto pria ch'ei venga" (Masetto, Zerlina, Don Giovanni, Chorus) by Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto / Act 1: Ch'io gli parli | Giuseppe Verdi, Plácido Domingo, Walter Gullino, Piero Cappuccilli, Luigi De Corato, Dirk Sagemüller, Kurt Moll, Wiener Philharmoniker, Carlo Maria Giulini, Vienna State Opera Chorus | D♭ Major | 2 | 3B | 74 BPM | ||
La traviata / Act 1: "Ebben? che diavol fate?" | Giuseppe Verdi, Salvatore Cordella, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | A♭ Major | 2 | 4B | 168 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Duet. "Akh, noch minula" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Ruthild Engert-Ely, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Requiem In D Minor, K.626: 6. Benedictus | Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Rudolf Scholz, Wiener Singverein | B♭ Major | 1 | 6B | 89 BPM | ||
Pa-pa-gena!... Pa-pa-geno! (Papageno / Papagena) | Valérie Karsenti, Herbert von Karajan, Wiener Philharmoniker, Erich Kunz, Emmy Loose | G Major | 3 | 9B | 120 BPM | ||
La Cenerentola / Act 2: "Sì, ritrovarla io giuro" | Gioachino Rossini, William Matteuzzi, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 2: Cavatina - Se Vuol Ballare, Signor Contino | Donato Di Stefano, Maria Pia Ionata, Roberto Frontali, Ingrid Kertesi, Natale de Carolis, Hungarian State Opera Orchestra, Jozsef Mukk, Patrizia Pace, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | F Major | 1 | 7B | 134 BPM | ||
Die Walküre / Dritter Aufzug: "Hier bin ich, Vater" | Richard Wagner, Birgit Nilsson, Hans Hotter, Wiener Philharmoniker, Sir Georg Solti | F Major | 1 | 7B | 125 BPM | ||
Carmen (1997 - Remaster), Act III: Quant au douanier, c'est notre affaire | Georges Bizet, Maria Callas, Nadine Sautereau, Jane Berbié, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | F♯ Major | 2 | 2B | 131 BPM | ||
Madama Butterfly / Act 1: Cio-cio-san! Cio-cio-san! | Giacomo Puccini, Marius Rintzler, Luciano Pavarotti, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | G Major | 3 | 9B | 92 BPM |
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