Giuseppe Verdi, Salvatore Cordella, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi made "La traviata / Act 1: "Ebben? che diavol fate?"" available on January 1, 2005. With La traviata / Act 1: "Ebben? che diavol fate?" being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi: La Traviata by Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker. The song's track number on the album is #6 out of 38 tracks. Based on our data, Germany was the country where this track was produced or recorded. The popularity of La traviata / Act 1: "Ebben? che diavol fate?" is currently below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since La traviata / Act 1: "Ebben? che diavol fate?" by Giuseppe Verdi, Salvatore Cordella, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi has a tempo of 168 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With La traviata / Act 1: "Ebben? che diavol fate?" being at 168 BPM, the half-time would be 84 BPM with a double-time of 336 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème / Act I: "O soave fanciulla" | Giacomo Puccini, Anna Netrebko, Rolando Villazón, Staatskapelle Dresden, Nicola Luisotti | A Major | 0 | 11B | 78 BPM | ||
I Capuleti e i Montecchi: Eccomi in lieta vesta / Act 1: Oh! quante volte - Live | Vincenzo Bellini, Anna Netrebko, Wiener Symphoniker, Fabio Luisi | F Major | 2 | 7B | 75 BPM | ||
Wein, Weib und Gesang, Walzer, Op. 333 | Johann Strauss II, Zubin Mehta, Wiener Philharmoniker | B♭ Major | 1 | 6B | 101 BPM | ||
L'elisir d'amore / Act 1: "Esulti pur la barbara" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, English Chamber Orchestra, Richard Bonynge | F Major | 2 | 7B | 109 BPM | ||
Faust, CG 4 / Act III: Chanson du roi de Thule - Air des Bijoux | Charles Gounod, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | E Major | 2 | 12B | 110 BPM | ||
La Cenerentola / Act 1: "Principino, dove siete?" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Alessandro Corbelli, William Matteuzzi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | G Major | 3 | 9B | 121 BPM | ||
Madama Butterfly / Act 2: Tu, Suzuki, che sei tanto biona | Giacomo Puccini, Mirella Freni, Christa Ludwig, Robert Kerns, Elke Schary, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 64 BPM | ||
I Puritani / Act 2: Qui la voce sua soave - Live At Metropolitan Opera House, New York / 2011 | Vincenzo Bellini, Anna Netrebko, Metropolitan Opera Orchestra, Patrick Summers | E♭ Major | 0 | 5B | 79 BPM | ||
La traviata / Act 2: "Ah! Dite alla giovine" | Giuseppe Verdi, Cheryl Studer, Juan Pons, Metropolitan Opera Orchestra, James Levine | E♭ Major | 1 | 5B | 84 BPM | ||
Verdi: Aida, Act 1: "Vieni, o diletta, appressati" (Amneris, Aida, Radamès) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | E Minor | 2 | 9A | 68 BPM |
Section: 0.5682005882263184
End: 0.573469877243042