Henry Purcell, Emmanuelle Haïm, European Voices, Le Concert d'Astrée made "Purcell: Dido and Aeneas, Z. 626, Act I: Chorus. "Cupid Only Throws the Dart" (Chorus)" available on 2003. With Purcell: Dido and Aeneas, Z. 626, Act I: Chorus. "Cupid Only Throws the Dart" (Chorus) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 36 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #10. Purcell: Dido and Aeneas, Z. 626, Act I: Chorus. "Cupid Only Throws the Dart" (Chorus) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Purcell: Dido and Aeneas, Z. 626, Act I: Chorus. "Cupid Only Throws the Dart" (Chorus) by Henry Purcell, Emmanuelle Haïm, European Voices, Le Concert d'Astrée having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell : King Arthur : Act 5 Chaconne | William Christie | E♭ Major | 0 | 5B | 125 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: I. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 137 BPM | ||
Orfeo ed Euridice: Act I, Scene 2, Amore: Gli sguardi trattieni | Christoph Willibald Gluck, René Jacobs, Maria Cristina Kiehr, Freiburger Barockorchester | B Minor | 0 | 10A | 70 BPM | ||
Pergolesi: Laudate pueri: II. A solis ortu | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | A Major | 1 | 11B | 84 BPM | ||
La superbia d'Alessandro: "Non prendo consiglio" | Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis | A♭ Major | 3 | 4B | 126 BPM | ||
St. John Passion, BWV 245: Part II: Aria: Mein teurer Heiland, lass dich fragen (Bass, Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 0 | 3B | 124 BPM | ||
Alcidiane: Recit chante par la Signora Anna | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | D♭ Minor | 0 | 12A | 83 BPM | ||
Stabat Mater: Pro peccatis suae gentis | Agostino Steffani, Coro della Radiotelevisione Svizzera, I Barocchisti, Diego Fasolis | G Minor | 4 | 6A | 79 BPM | ||
Dido and Aeneas / Act 2: "Wayward sisters...But ere we this perform" | Henry Purcell, Patricia Kern, Helen Walker, Della Jones, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | F Major | 1 | 7B | 162 BPM | ||
Monteverdi: L'Orfeo, favola in musica, SV 318, Prologue: "Io la Musica son" (La Musica) | Claudio Monteverdi, Emmanuelle Haïm | E♭ Minor | 1 | 2A | 81 BPM |
Section: 0.6157002449035645
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