"Dido and Aeneas / Act 2: "Wayward sisters...But ere we this perform"" by Henry Purcell, Patricia Kern, Helen Walker, Della Jones, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard was released on January 1, 1986. With this song being about 5 minutes long, at 4:58, "Dido and Aeneas / Act 2: "Wayward sisters...But ere we this perform"" by Henry Purcell, Patricia Kern, Helen Walker, Della Jones, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #7. The popularity of Dido and Aeneas / Act 2: "Wayward sisters...But ere we this perform" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dido and Aeneas / Act 2: "Wayward sisters...But ere we this perform" by Henry Purcell, Patricia Kern, Helen Walker, Della Jones, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard having a BPM of 162 with a half-time of 81 BPM and a double-time of 324 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Rondine / Act 1: "Chi il bel sogno di Doretta" | Giacomo Puccini, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | F Major | 2 | 7B | 166 BPM | ||
Purcell : King Arthur : Act 2 "Come, shepherds, lead up a lively measure" [Chorus] Hornpipe | William Christie | F Major | 2 | 7B | 85 BPM | ||
Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied) | Erich Wolfgang Korngold, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 1 | 6B | 88 BPM | ||
Purcell : King Arthur : Act 1 "Brave souls, to be renown'd in story" [Chorus] | William Christie | B♭ Major | 1 | 6B | 75 BPM | ||
Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, English Chamber Orchestra | G Major | 4 | 9B | 78 BPM | ||
Orfeo ed Euridice: Act II, Scene 1, Ballo e Coro (Maestoso): Chi mai dell'Erebo | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | G Minor | 0 | 6A | 134 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Barbara Bonney, Les Talens Lyriques, Christophe Rousset | G Major | 1 | 9B | 75 BPM | ||
Stabat Mater (Hob. XXbis)- 1767: XIIIa.Quando corpus morietur | Joseph Haydn, Patricia Rozario, Catherine Robbin, The English Concert Choir, The English Concert, Trevor Pinnock | F♯ Minor | 0 | 11A | 141 BPM | ||
Siroe: "Fra l'orror della tempesta" | Johann Adolf Hasse, Riccardo Minasi, Il Pomo D'oro, Franco Fagioli | D♭ Major | 5 | 3B | 131 BPM | ||
Mass in B Minor, BWV 232: Gloria in excelsis Deo (Chorus) | Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A♭ Major | 0 | 4B | 130 BPM |
Section: 0.6401848793029785
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