"Orfeo ed Euridice: Act II, Scene 1, Ballo e Coro (Maestoso): Chi mai dell'Erebo" by Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester was released on September 28, 2001. With Orfeo ed Euridice: Act II, Scene 1, Ballo e Coro (Maestoso): Chi mai dell'Erebo being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor's "Gluck: Orfeo ed Euridice" album is number 10 out of 33. On top of that, France appears to be the country where this track was created. Based on our statistics, Orfeo ed Euridice: Act II, Scene 1, Ballo e Coro (Maestoso): Chi mai dell'Erebo's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orfeo ed Euridice: Act II, Scene 1, Ballo e Coro (Maestoso): Chi mai dell'Erebo by Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pergolesi: Laudate pueri: VI. Gloria Patri | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | D Major | 1 | 10B | 71 BPM | ||
Die Jahreszeiten, Hob. XXI:3, Der Frühling: VIII. Freudenlied mit abwechselndem Chor der Jugend, "Oh, wie lieblich ist der Anblick" | Franz Joseph Haydn, Christina Landshamer, Maximilian Schmitt, Florian Boesch, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 1 | 10B | 68 BPM | ||
Semiramide: Sento l'amica speme (Semiramide) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | B♭ Major | 2 | 6B | 132 BPM | ||
L'Orfeo / Act II: Ritornello-Vi ricorda o bosch'ombrosi | Claudio Monteverdi, Anthony Rolfe Johnson, Mark Tucker, English Baroque Soloists, John Eliot Gardiner | E Major | 1 | 12B | 92 BPM | ||
Liebeslieder-Walzer, Op.52 - Verses From "Polydora": 1. Rede, Mädchen, allzu liebes | Johannes Brahms, Edith Mathis, Brigitte Fassbaender, Peter Schreier, Dietrich Fischer-Dieskau, Karl Engel, Wolfgang Sawallisch | E Major | 1 | 12B | 94 BPM | ||
Missa Solemnis in D Major, Op. 123: III. Credo: Et resurrexit | Ludwig van Beethoven, Nikolaus Harnoncourt, Concentus Musicus Wien | B♭ Major | 1 | 6B | 96 BPM | ||
Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM | ||
Chi vuol la zingarella (from Zingari in Fiera) | Giovanni Paisiello, Cecilia Bartoli, György Fischer | G Major | 1 | 9B | 80 BPM | ||
Requiem: XI. Domine Jesu Christe | Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, Karen Cargill, Stuart Neill, John Relyea, Christine Brewer | A♭ Major | 0 | 4B | 125 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: II. Christe | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | F Minor | 0 | 4A | 149 BPM |
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