"Purcell : King Arthur : Act 1 "Brave souls, to be renown'd in story" [Chorus]" by William Christie was released on 1995. The duration of Purcell : King Arthur : Act 1 "Brave souls, to be renown'd in story" [Chorus] is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Purcell : King Arthur : Act 1 "Brave souls, to be renown'd in story" [Chorus]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Purcell : King Arthur". In this album, this song's track order is #6. Furthermore, we believe that the track originated from France. Purcell : King Arthur : Act 1 "Brave souls, to be renown'd in story" [Chorus] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Purcell : King Arthur : Act 1 "Brave souls, to be renown'd in story" [Chorus] by William Christie having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The music key of this track is B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell : King Arthur : Act 1 "Woden, first to thee" [Bass, Chorus] | William Christie | E♭ Major | 1 | 5B | 134 BPM | ||
Charpentier : Médée, Prologue: Passepied | Marc-Antoine Charpentier, William Christie, Les Arts Florissants | A Major | 2 | 11B | 136 BPM | ||
Armide, Act II, Scene 5: "Enfin, il est en ma puissance" (Armide) | Jean-Baptiste Lully, Collegium Vocale Gent, Philippe Herreweghe, Guillemette Laurens, La Chapelle Royale | D Minor | 2 | 7A | 141 BPM | ||
Mondonville : Dominus regnavit : II | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | C Minor | 1 | 5A | 81 BPM | ||
Couperin, F: Première leçon de ténèbres pour le Mercredi saint: VI. He | François Couperin, William Christie, Sophie Daneman, Les Arts Florissants | C Minor | 0 | 5A | 76 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Charpentier : Médée, Act 1: "Quel bonheur suit la tendresse" (Chorus) | Marc-Antoine Charpentier, William Christie, Les Arts Florissants | A Major | 2 | 11B | 136 BPM | ||
Dido and Aeneas / Act 3: "Your councel all is urg'd in vain" | Henry Purcell, Catherine Bott, Emma Kirkby, John Mark Ainsley, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 83 BPM | ||
L'Orfeo, Atto terzo: IV. Possente Spirto | Claudio Monteverdi, Jordi Savall, Furio Zanasi, Le Concert Des Nations | D Minor | 1 | 7A | 70 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Barbara Bonney, Les Talens Lyriques, Christophe Rousset | G Major | 1 | 9B | 75 BPM |
Section: 0.9458639621734619
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