Wolfgang Amadeus Mozart, Wiener Symphoniker, Ferenc Fricsay's 'Symphony No. 40 In G Minor, K.550: 1. Molto allegro' came out on January 8, 2022. The duration of Symphony No. 40 In G Minor, K.550: 1. Molto allegro is about 3 minutes long, at 3:28. Based on our data, "Symphony No. 40 In G Minor, K.550: 1. Molto allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 65 in the song's album "Start 2022 with Mozart". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Symphony No. 40 In G Minor, K.550: 1. Molto allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 40 In G Minor, K.550: 1. Molto allegro by Wolfgang Amadeus Mozart, Wiener Symphoniker, Ferenc Fricsay having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
Pavane, Op. 50 | Gabriel Fauré, Rotterdam Philharmonic Orchestra, Jean Fournet | F♯ Minor | 0 | 11A | 83 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
Gayaneh: Sabre Dance | Aram Khachaturian, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky | A♭ Major | 4 | 4B | 126 BPM | ||
La damnation de Faust Op 24 Pt 1 Marche hongroise | Symphony Orchestra Chicago | C Major | 4 | 8B | 67 BPM | ||
Guillaume Tell: Ouverture | Massimo Campigli, Orchestra Del Teatro Alla Scala, Milano | E Major | 7 | 12B | 164 BPM | ||
Ainsi parlait Zarathoustra, Op. 30: Einleitung | Richard Strauss, Orchestre Philharmonique de l’Oural, Dmitri Liss | A Minor | 2 | 8A | 140 BPM | ||
Sinfonia for Strings in G major, RV 149: II. Andante | Karoly Botvay | D Major | 0 | 10B | 114 BPM | ||
Suite No. 3 in D Major, BWV 1068: Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Freiburger Barockorchester | D♭ Major | 0 | 3B | 65 BPM | ||
Waltz No. 7 in C-Sharp Minor, Op. 64 No. 2 | Frédéric Chopin, Alice Sara Ott | F Minor | 1 | 4A | 80 BPM |
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