Mary Stuart, A. 43, In. 52, Act III Scene 1: While she's living I'm still in danger (Cecil, Elizabeth)
Gaetano Donizetti, Sir Charles Mackerras, English National Opera Orchestra, Rosalind Plowright, Alan Opie
Donizetti: Mary Stuart
3:39 April 1, 1999
BPM
89
Key
B Minor
Camelot
10A

Embed

Share Link

Mary Stuart, A. 43, In. 52, Act III Scene 1: While she's living I'm still in danger (Cecil, Elizabeth) - Gaetano Donizetti, Sir Charles Mackerras, English National Opera Orchestra, Rosalind Plowright, Alan Opie Information

Acousticness
98%
Danceability
28%
Energy
16%
Instrumentalness
0%
Liveness
9%
Loudness
74%
Speechiness
5%
Valence
15%
Popularity
Loudness
-15.617 dB

Summary

"Mary Stuart, A. 43, In. 52, Act III Scene 1: While she's living I'm still in danger (Cecil, Elizabeth)" by Gaetano Donizetti, Sir Charles Mackerras, English National Opera Orchestra, Rosalind Plowright, Alan Opie was released on April 1, 1999. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 43 in Donizetti: Mary Stuart by Gaetano Donizetti, Sir Charles Mackerras, English National Opera Orchestra, Dame Janet Baker, Rosalind Plowright, David Rendall, Alan Opie, John Tomlinson, Angela Bostock. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Mary Stuart, A. 43, In. 52, Act III Scene 1: While she's living I'm still in danger (Cecil, Elizabeth) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Mary Stuart, A. 43, In. 52, Act III Scene 1: While she's living I'm still in danger (Cecil, Elizabeth) BPM

The tempo marking of Mary Stuart, A. 43, In. 52, Act III Scene 1: While she's living I'm still in danger (Cecil, Elizabeth) by Gaetano Donizetti, Sir Charles Mackerras, English National Opera Orchestra, Rosalind Plowright, Alan Opie is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Mary Stuart, A. 43, In. 52, Act III Scene 1: While she's living I'm still in danger (Cecil, Elizabeth) Key

This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Norma / Act 1: Oh! qual traspare orribile by Vincenzo Bellini, Montserrat Caballé, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard BonyngeNorma / Act 1: Oh! qual traspare orribileVincenzo Bellini, Montserrat Caballé, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard BonyngeB♭ Major16B134 BPM
Andrea Chenier: Act I: Compiacente á colloquii by Umberto Giordano, Sherrill Milnes, James LevineAndrea Chenier: Act I: Compiacente á colloquiiUmberto Giordano, Sherrill Milnes, James LevineF♯ Minor211A129 BPM
Les Contes d'Hoffmann / Act 2: Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour"Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard BonyngeD Major110B82 BPM
Lucrezia Borgia - Act I - Com'è bello! Quale incanto by Gaetano Donizetti, Montserrat Caballé, Carlo Felice CillarioLucrezia Borgia - Act I - Com'è bello! Quale incantoGaetano Donizetti, Montserrat Caballé, Carlo Felice CillarioE♭ Major15B63 BPM
Poliuto (1997 Digital Remaster), ATTO PRIMO, Scena prima: Omai da lunge (Un Christiano/Nearco/Paolina) by Gaetano Donizetti, Salvatore Cammarano, Virgilio Carbonari, Piero de Palma, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di MilanPoliuto (1997 Digital Remaster), ATTO PRIMO, Scena prima: Omai da lunge (Un Christiano/Nearco/Paolina)Gaetano Donizetti, Salvatore Cammarano, Virgilio Carbonari, Piero de Palma, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di MilanE♭ Major15B71 BPM
Tosca by Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-PradelliToscaRenata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-PradelliD Major210B112 BPM
Le Nozze di Figaro, K.492 (1997 - Remaster): Porgi, amor by Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du ConservatoireLe Nozze di Figaro, K.492 (1997 - Remaster): Porgi, amorWolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du ConservatoireE♭ Major15B79 BPM
Don Pasquale: Act I: Quel guardo il cavaliere by Gaetano Donizetti, Roberto AbbadoDon Pasquale: Act I: Quel guardo il cavaliereGaetano Donizetti, Roberto AbbadoB Major11B129 BPM
L'elisir d'amore / Act 1: L'elisir d'amore / Act 1: "Udite, udite, o rustici"Gaetano Donizetti, Enzo Dara, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James LevineA Major211B129 BPM
L'elisir d'amore / Act 2: L'elisir d'amore / Act 2: "Una furtiva lagrima"Gaetano Donizetti, Ramón Vargas, SWR Symphony Orchestra, Marco ArmiliatoB♭ Minor13A165 BPM
ISRC
GBLWD9906402
Label
L-M Records/RCA Records

Section: 0.8890097141265869

End: 0.89320969581604