"Funeral March in Memory of Richard Nordraak, EG 107 (Orch. H. Wood)" by Edvard Grieg, London Philharmonic Orchestra, Nicholas Braithwaite had its release date on July 1, 2007. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 18 in the song's album "Sir Henry Wood: Orchestral Works". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Funeral March in Memory of Richard Nordraak, EG 107 (Orch. H. Wood) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Funeral March in Memory of Richard Nordraak, EG 107 (Orch. H. Wood) by Edvard Grieg, London Philharmonic Orchestra, Nicholas Braithwaite having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Pianos, FP 61: III. Finale: Allegro molto | Francis Poulenc, Leonard Bernstein, New York Philharmonic | B Minor | 3 | 10A | 100 BPM | ||
Symphony No. 2 in B Minor: IV. Finale | Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | D Major | 1 | 10B | 129 BPM | ||
Peer Gynt Suite No. 2, Op. 55: I. The Abduction of the Bride - Ingrid's Lament. Allegro furioso - Andante doloroso | Edvard Grieg, Leonard Bernstein, New York Philharmonic | D Minor | 1 | 7A | 72 BPM | ||
Holst: The Planets, Op. 32: I. Mars, the Bringer of War | Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra | A♭ Major | 4 | 4B | 70 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: I. Introduction | Richard Strauss, Wolfgang Sawallisch, Michael Stairs, Philadelphia Orchestra | F Major | 2 | 7B | 91 BPM | ||
Capriccio espagnol, Op. 34: IV. Scena e canto gitano | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM | ||
Symphony No. 9 in D Major: III. Rondo Burleske: No. 3, Sempre l’istesso tempo | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM | ||
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: IV. Finale. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Minor | 4 | 4A | 78 BPM | ||
Lyric Pieces Book V, Op. 54: No. 3 March Of The Trolls | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Le maçon, S. 13 (Excerpts): Entr'acte to Act III | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | G Major | 0 | 9B | 95 BPM |