"Holst: The Planets, Op. 32: I. Mars, the Bringer of War" by Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra was released on January 1, 1979. Since Holst: The Planets, Op. 32: I. Mars, the Bringer of War is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra's "Holst: The Planets, Op. 32" album is number 1 out of 7. Holst: The Planets, Op. 32: I. Mars, the Bringer of War is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Holst: The Planets, Op. 32: I. Mars, the Bringer of War by Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Colas Breugnon Overture, Op. 24 | Dmitry Kabalevsky, Kathryn Stott, Vassily Sinaisky, BBC Philharmonic | F Major | 3 | 7B | 132 BPM | ||
The Tale of Tsar Saltan Suite, Op. 57: The Tale of Tsar Saltan Suite, Op. 57: II. The Tsarina in a Barrel at Sea | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Minor | 1 | 6A | 171 BPM | ||
St. Paul's Suite, Op. 29, No. 2: I. Jig | Gustav Holst, Royal Philharmonic Orchestra, Vernon Handley | D Minor | 2 | 7A | 76 BPM | ||
Matthews : Pluto, the Renewer | Colin Matthews (1946), Giacomo Puccini, Royal Philharmonic Orchestra, Owain Arwel Hughes | F Major | 0 | 7B | 82 BPM | ||
Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, George Szell, Cleveland Orchestra | E Minor | 0 | 9A | 77 BPM | ||
Polovetsian Dances from Prince Igor: Allegro con spirito | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 5 | 11B | 90 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro - | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | G Major | 0 | 9B | 127 BPM | ||
Vocalise, Op. 34 | London Philharmonic Orchestra, Pieter Schoeman | E Minor | 2 | 9A | 92 BPM | ||
Shostakovich: Symphony No. 9 in E-Flat Major, Op. 70: I. Allegro | Dmitri Shostakovich, Valery Gergiev, Munich Philharmonic Orchestra | E♭ Major | 3 | 5B | 132 BPM | ||
The Planets - Suite For Orchestra, H. 125, Op. 32: Jupiter - The Bringer of Jollity | Gustav Holst, Mike Batt, Royal Philharmonic Orchestra | E Major | 1 | 12B | 130 BPM |
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