"Requiem in D minor, K.626 (compl. by Franz Xaver Süssmayer): 3. Sequentia: Lacrimosa" by Wolfgang Amadeus Mozart, John Alldis Choir, BBC Symphony Orchestra, Alan Harverson, Sir Colin Davis was released on January 1, 1984. The duration of Requiem in D minor, K.626 (compl. by Franz Xaver Süssmayer): 3. Sequentia: Lacrimosa is about 3 minutes long, at 3:06. Based on our data, "Requiem in D minor, K.626 (compl. by Franz Xaver Süssmayer): 3. Sequentia: Lacrimosa" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 9 in the song's album "The Best Of Wolfgang Amadeus Mozart". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Netherlands. Requiem in D minor, K.626 (compl. by Franz Xaver Süssmayer): 3. Sequentia: Lacrimosa is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Requiem in D minor, K.626 (compl. by Franz Xaver Süssmayer): 3. Sequentia: Lacrimosa by Wolfgang Amadeus Mozart, John Alldis Choir, BBC Symphony Orchestra, Alan Harverson, Sir Colin Davis having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM | ||
String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | ||
Concerto No. 21 in C Major for Piano and Orchestra, K. 467: II. Andante | Finghin Collins | F Major | 1 | 7B | 177 BPM | ||
Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka) | Antonín Dvořák, Lucia Popp, Stefan Soltesz, Munich Radio Orchestra | F♯ Major | 1 | 2B | 96 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Requiem in D Minor, K. 626 (Completed F.X. Süssmayr): Introit: Requiem aeternam | Wolfgang Amadeus Mozart, Miriam Allan, Gewandhaus-Kammerchor, Leipziger Kammerorchester, Morten Schuldt-Jensen | C Minor | 2 | 5A | 99 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Piano Quartet No. 1 in G Minor, K. 478: II. Andante | Wolfgang Amadeus Mozart, Emanuel Ax, Isaac Stern, Jaime Laredo, Yo-Yo Ma | B♭ Major | 0 | 6B | 67 BPM | ||
Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesple, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM |
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