"Schwanensee, Op. 20: Act II No. 13: Dances of the swans" by Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky was released on November 18, 2002. The duration of Schwanensee, Op. 20: Act II No. 13: Dances of the swans is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Schwanensee, Op. 20: Act II No. 13: Dances of the swans's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 55 in the song's album "Tchaikovsky: Swan Lake (Complete Ballet)". In this album, this song's track order is #22. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Schwanensee, Op. 20: Act II No. 13: Dances of the swans is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schwanensee, Op. 20: Act II No. 13: Dances of the swans by Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Le nozze di Figaro, K. 492: Sinfonia | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Riccardo Muti | D Major | 2 | 10B | 154 BPM | ||
La Sylphide: Act I: Arrival of the Guests - Pas d'ecossaise | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | C Major | 1 | 8B | 82 BPM | ||
Paquita: Variation 7: Allegro | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 165 BPM | ||
Don Quixote: Act III: Quiteria's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | C Major | 1 | 8B | 167 BPM | ||
The Snow Maiden, Op. 12: II. Dance And Chorus Of Birds | Moscow Symphony Orchestra, Moscow Capella, Elena Okolysheva, Arkady Mishenkin, Pyotr Ilyich Tchaikovsky | C Major | 1 | 8B | 127 BPM | ||
Schwanensee, Op. 20: Act II No. 13: Dances of the swans | Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 1 | 11B | 92 BPM | ||
Ballabili per il film "Il Gattopardo" (1963) (revisione a cura di Nicola Scardicchio): 3. Controdanza | Nino Rota, Riccardo Muti, Milan La Scala Philharmonic Orchestra | B♭ Major | 0 | 6B | 91 BPM | ||
Giselle: Act I: Retour de la vendange et valse (The Grape-Pickers Return) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 134 BPM | ||
Spartacus, Act II: Parting of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Nabucco: Overture | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | F Major | 2 | 7B | 100 BPM |
Section: 0.8337981700897217
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