"Ballabili per il film "Il Gattopardo" (1963) (revisione a cura di Nicola Scardicchio): 3. Controdanza" by Nino Rota, Riccardo Muti, Milan La Scala Philharmonic Orchestra was released on February 21, 1995. The duration of Ballabili per il film "Il Gattopardo" (1963) (revisione a cura di Nicola Scardicchio): 3. Controdanza is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Ballabili per il film "Il Gattopardo" (1963) (revisione a cura di Nicola Scardicchio): 3. Controdanza's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Rota: "La Strada"; Concerto per Archi; "Il Gattopardo"". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. In terms of popularity, Ballabili per il film "Il Gattopardo" (1963) (revisione a cura di Nicola Scardicchio): 3. Controdanza is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ballabili per il film "Il Gattopardo" (1963) (revisione a cura di Nicola Scardicchio): 3. Controdanza by Nino Rota, Riccardo Muti, Milan La Scala Philharmonic Orchestra having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verdi: Aida, Act 4: "O terra, addio, valle di pianti" (Aida, Radamès, Amneris, Coro) | Giuseppe Verdi, Riccardo Muti, Chorus of the Royal Opera House, Covent Garden, Fiorenza Cossotto, Montserrat Caballé, Plácido Domingo, New Philharmonia Orchestra | D Major | 9 | 10B | 142 BPM | ||
Masques et Bergamasques Suite, Op. 112: I. Ouverture | Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton | F Major | 1 | 7B | 135 BPM | ||
Vremena goda (the Seasons), Op. 67: Autumn. Petit Adagio [1] | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A Major | 0 | 11B | 81 BPM | ||
Les Contes d'Hoffmann - Arr. M. Moszkowski: Barcarolle | Jacques Offenbach, Jean-Yves Thibaudet | A Major | 1 | 11B | 169 BPM | ||
Il Pellegrinaggio | Nino Rota | G Minor | 0 | 6A | 66 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: 1. Moderato | Sergei Rachmaninoff, Zoltán Kocsis, San Francisco Symphony, Edo de Waart | G Major | 1 | 9B | 82 BPM | ||
Gretchen am Spinnrade, D. 118 (Arr. for Piano by Franz Liszt) | Franz Schubert, Yuja Wang | C Major | 3 | 8B | 78 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM | ||
Violin Concerto in A minor, Op. 82: 1. Moderato | Alexander Glazunov, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | F Major | 1 | 7B | 80 BPM | ||
Hungarian Dance No. 1 In G Minor, WoO 1 (Orchestrated By Johannes Brahms) | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | G Minor | 4 | 6A | 78 BPM |
Section: 0.7430300712585449
End: 0.7497732639312744