"Ecco quel fiero istante, K. 436" by Wolfgang Amadeus Mozart, Christine Schäfer, Gundula Hintz, Dietrich Fischer-Dieskau, Bläser der Berliner Philharmoniker was released on July 1, 2016. With Ecco quel fiero istante, K. 436 being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Bläser der Berliner Philharmoniker's "Mozart: 6 Notturni, Divertimenti, Le nozze di Figaro Arias for Wind Ensemble" album is number 3 out of 20. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Ecco quel fiero istante, K. 436's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ecco quel fiero istante, K. 436 by Wolfgang Amadeus Mozart, Christine Schäfer, Gundula Hintz, Dietrich Fischer-Dieskau, Bläser der Berliner Philharmoniker to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum, Hob. XXIIIc:2 | Joseph Haydn, Richard Hickox, Collegium Musicum 90, Collegium Musicum 90 Choir | E Major | 1 | 12B | 71 BPM | ||
An Sylvia, Op. 106, No. 4, D. 891 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | G Major | 1 | 9B | 124 BPM | ||
Missa Brevis In C Major Kv 259, Orgelsolo Messe: Sanctus | Nicol Matt, Kurpfälzisches Kammerorchester Mannheim, Nordic Chamber Choir, Chrisof Fischesser, Reinhard Geller, Petra Labitzke, Barbara Werner, Jens Wollenschläger, Daniel Sans, Wolfgang Amadeus Mozart | C Major | 3 | 8B | 122 BPM | ||
Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Kyrie | Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | D♭ Major | 3 | 3B | 163 BPM | ||
Paulus: I. Teil: Nr. 19 Aria mit Chor B "Ich danke dir, Herr, mein Gott" | Felix Mendelssohn, Collegium Vocale Gent, Matthias Goerne, Philippe Herreweghe, La Chapelle Royale | G Major | 2 | 9B | 73 BPM | ||
Dixit and Magnificat, K. 193: I. Dixit | Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | C Major | 1 | 8B | 113 BPM | ||
Le nozze di Figaro, K. 492, Atto I Scena 4: No. 5, Duettino "Via, resti servita" (Marcellina, Susanna) | Wolfgang Amadeus Mozart, René Jacobs, Concerto Köln, Patrizia Ciofi, Marie McLaughlin | D♭ Minor | 2 | 12A | 121 BPM | ||
Die Zauberflöte, K. 620: Act II: Der Holle Rache (Queen of the Night) | Wolfgang Amadeus Mozart, Andrea Martin, Donna Robin, Vienna Mozart Orchestra, Konrad Leitner | F Major | 3 | 7B | 145 BPM | ||
Mass No. 2 in G Major, D. 167: VI. Agnus Dei | Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | A Major | 0 | 11B | 77 BPM | ||
Die Forelle, Op. 32, D. 550 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | E♭ Major | 1 | 5B | 102 BPM |
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