Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore's 'An Sylvia, Op. 106, No. 4, D. 891' came out on January 1, 1969. The duration of An Sylvia, Op. 106, No. 4, D. 891 is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. An Sylvia, Op. 106, No. 4, D. 891's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 171 in the song's album "Schubert: Lieder (Vol. 2)". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Germany. Based on our statistics, An Sylvia, Op. 106, No. 4, D. 891's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With An Sylvia, Op. 106, No. 4, D. 891 by Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria: 1. Gloria | Francis Poulenc, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | B♭ Major | 2 | 6B | 130 BPM | ||
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | ||
Eugene Onegin, Op. 24, TH 5: "Sag, wer von beiden ist Tatjana" | Pyotr Ilyich Tchaikovsky, Evelyn Lear, Brigitte Fassbaender, Fritz Wunderlich, Dietrich Fischer-Dieskau, Orchester der Bayerischen Staatsoper München, Otto Gerdes | E♭ Major | 1 | 5B | 75 BPM | ||
Waldeinsamkeit | Max Reger, Regula Mühlemann, Adrian Baianu | G Major | 1 | 9B | 104 BPM | ||
Die Forelle, Op. 32, D. 550 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | E♭ Major | 1 | 5B | 102 BPM | ||
Illalle | Elja Puukko, Risto Lauriala | F Major | 2 | 7B | 0 BPM | ||
Dichterliebe, Op.48: 9. Das ist ein Flöten und Geigen | Robert Schumann, Dietrich Fischer-Dieskau, Christoph Eschenbach | G Minor | 2 | 6A | 95 BPM | ||
Petite messe solennelle: Petite messe solennelle: Sanctus | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | C Major | 1 | 8B | 81 BPM | ||
Kindertotenlieder: IV. Oft denk' ich, sie sind nur ausgegangen | Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | E♭ Major | 2 | 5B | 91 BPM | ||
6 Lieder, Op. 56, TrV 220: No. 1, Gefunden | Richard Strauss, Dietrich Fischer-Dieskau, Wolfgang Sawallisch | E♭ Major | 0 | 5B | 67 BPM |
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