Robert Schumann, Dietrich Fischer-Dieskau, Christoph Eschenbach made "Dichterliebe, Op.48: 9. Das ist ein Flöten und Geigen" available on January 1, 1985. With Dichterliebe, Op.48: 9. Das ist ein Flöten und Geigen being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 35 in the song's album "Schumann: Dichterliebe; Liederkreis op.39; Selection from "Myrten"". In this album, this song's track order is #9. In terms of popularity, Dichterliebe, Op.48: 9. Das ist ein Flöten und Geigen is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Dichterliebe, Op.48: 9. Das ist ein Flöten und Geigen by Robert Schumann, Dietrich Fischer-Dieskau, Christoph Eschenbach having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
13 Préludes, Op. 32: No. 3. Allegro vivace in E Major | Sergei Rachmaninoff, Nikolai Lugansky | D♭ Major | 1 | 3B | 67 BPM | ||
Lyric Pieces Book VII, Op. 62: No. 6 Homeward | Edvard Grieg, Emil Gilels | D Major | 2 | 10B | 121 BPM | ||
Dichterliebe, Op. 48: VI. Im Rhein, im heiligen Strome | Robert Schumann, Dietrich Fischer-Dieskau, Christoph Eschenbach | F Major | 0 | 7B | 57 BPM | ||
Eugene Onegin, Op. 24, TH 5: "Sie schrieben mir" | Pyotr Ilyich Tchaikovsky, Dietrich Fischer-Dieskau, Evelyn Lear, Orchester der Bayerischen Staatsoper München, Otto Gerdes | F♯ Major | 1 | 2B | 83 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 2, Wanderlied | Bedřich Smetana, Jitka Čechová | A Major | 1 | 11B | 146 BPM | ||
Messa da Requiem: III Offertorio: Domine Jesu | Carlo Colombara, Elena Filipova, Hungarian State Opera Orchestra, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi | A♭ Major | 1 | 4B | 81 BPM | ||
24 Preludes, Op. 11: No. 13 in G-Flat Major | Alexander Scriabin, Evgeny Zarafiants | F♯ Major | 0 | 2B | 136 BPM | ||
Winterlied | Gustav Mahler, Bernarda Fink, Anthony Spiri | D♭ Minor | 1 | 12A | 133 BPM | ||
Loreley | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | G Minor | 2 | 6A | 144 BPM | ||
24 Preludes, Op. 11: No. 21 in B-Flat Major | Alexander Scriabin, Evgeny Zarafiants | G Major | 0 | 9B | 141 BPM |
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