24 Preludes, Op. 11: No. 21 in B-Flat Major
Alexander Scriabin, Evgeny Zarafiants
Scriabin: Preludes, Vol. 1
1:41 February 9, 2000
BPM
141
Key
G Major
Camelot
9B

Embed

Share Link

24 Preludes, Op. 11: No. 21 in B-Flat Major - Alexander Scriabin, Evgeny Zarafiants Information

Acousticness
99%
Danceability
44%
Energy
0%
Instrumentalness
94%
Liveness
8%
Loudness
31%
Speechiness
6%
Valence
12%
Popularity
Loudness
-41.184 dB

Summary

"24 Preludes, Op. 11: No. 21 in B-Flat Major" by Alexander Scriabin, Evgeny Zarafiants was released on February 9, 2000. With 24 Preludes, Op. 11: No. 21 in B-Flat Major being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 49 in the song's album "Scriabin: Preludes, Vol. 1". In this album, this song's track order is #23. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, 24 Preludes, Op. 11: No. 21 in B-Flat Major's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

24 Preludes, Op. 11: No. 21 in B-Flat Major BPM

With 24 Preludes, Op. 11: No. 21 in B-Flat Major by Alexander Scriabin, Evgeny Zarafiants having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.

24 Preludes, Op. 11: No. 21 in B-Flat Major Key

G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
3 Romanzen, Op. 28: No. 2 in F-Sharp Major (Einfach) by Robert Schumann, Maria João Pires3 Romanzen, Op. 28: No. 2 in F-Sharp Major (Einfach)Robert Schumann, Maria João PiresF♯ Major02B66 BPM
Lyrical Pieces, Op. 38: No. 6, Elegy by Edvard Grieg, Denis KozhukhinLyrical Pieces, Op. 38: No. 6, ElegyEdvard Grieg, Denis KozhukhinD Major110B149 BPM
Lieder ohne Worte (Songs without Words), Book 8, Op. 102 (arr. J. Russo for clarinet and piano): Lied ohne Worte (Song without Words), Book 8, Op. 102: No. 46 in G Minor, Op. 102, No. 4 by Felix Mendelssohn, John Russo, Péter NagyLieder ohne Worte (Songs without Words), Book 8, Op. 102 (arr. J. Russo for clarinet and piano): Lied ohne Worte (Song without Words), Book 8, Op. 102: No. 46 in G Minor, Op. 102, No. 4Felix Mendelssohn, John Russo, Péter NagyA Major011B85 BPM
Variations on a Theme by Robert Schumann, Op. 20: Var. 6 by Clara Schumann, Lisa Maria SchachtschneiderVariations on a Theme by Robert Schumann, Op. 20: Var. 6Clara Schumann, Lisa Maria SchachtschneiderB Minor010A77 BPM
Arabeske in C Major, Op. 18: No. 4 Zum Schluss by Robert Schumann, Maria João PiresArabeske in C Major, Op. 18: No. 4 Zum SchlussRobert Schumann, Maria João PiresD♭ Major03B73 BPM
On an Overgrown Path, JW VIII/17, Book 1: No. 7, Good Night! by Leoš Janáček, Lars VogtOn an Overgrown Path, JW VIII/17, Book 1: No. 7, Good Night!Leoš Janáček, Lars VogtG Major09B129 BPM
Petite Suite, CD 71: IV. Ballet by Claude Debussy, Lang Lang, Gina AlicePetite Suite, CD 71: IV. BalletClaude Debussy, Lang Lang, Gina AliceD Major210B107 BPM
Rachmaniana: I. Andante improvizato by Daniil TrifonovRachmaniana: I. Andante improvizatoDaniil TrifonovE Minor09A63 BPM
Variations sérieuses, Op. 54, MWV U156: Variation 14: Adagio by Felix Mendelssohn, Jan LisieckiVariations sérieuses, Op. 54, MWV U156: Variation 14: AdagioFelix Mendelssohn, Jan LisieckiD Major010B75 BPM
Nocturne No. 4 in C Minor Nocturne No. 4 in C Minor "Bal fantôme", FP 56/4Francis Poulenc, Piers LaneC Major08B79 BPM
ISRC
HKI199712223
Label
L-M Records/RCA Records

Section: 0.7582011222839355

End: 0.7615103721618652