"Arabeske in C Major, Op. 18: No. 4 Zum Schluss" by Robert Schumann, Maria João Pires was released on January 1, 1994. With Arabeske in C Major, Op. 18: No. 4 Zum Schluss being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Schumann: Piano Pieces". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. Arabeske in C Major, Op. 18: No. 4 Zum Schluss is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Arabeske in C Major, Op. 18: No. 4 Zum Schluss by Robert Schumann, Maria João Pires having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Papillons, Op.2: No. 11 | Robert Schumann, Nelson Freire | D Major | 1 | 10B | 120 BPM | ||
Two Scherzi, D. 593: No. 1 in B-Flat Major - Allegretto e Trio | Franz Schubert, Maria João Pires | A♭ Major | 0 | 4B | 85 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Child Falling Asleep, Op. 15 No. 12 (Arr. W. Newell for String Quartet) | Robert Schumann, The Solem Quartet, Amy Tress, William Newell, Stephen Upshaw, Stephanie Tress | E Major | 0 | 12B | 72 BPM | ||
Nocturne No. 3 in B Major, Op. 9, No. 3 | Frédéric Chopin, Maria João Pires | F♯ Major | 0 | 2B | 98 BPM | ||
13 Pieces, Op. 76: No. 10 Elegiaco | Jean Sibelius, Håvard Gimse | D♭ Minor | 0 | 12A | 68 BPM | ||
Satie: Embryons desséchés: No. 1, D'Holothurie | Erik Satie, Anne Queffélec | G Major | 1 | 9B | 152 BPM | ||
Années de pèlerinage I, S. 160: IX. Les cloches de Genève | Franz Liszt, Lazar Berman | E Major | 2 | 12B | 70 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
3 Romances, Op. 22: 2. Allegretto | Clara Schumann, Elena Urioste, Isata Kanneh-Mason | G Major | 0 | 9B | 116 BPM |
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