"Te Deum, Hob. XXIIIc:2" by Joseph Haydn, Richard Hickox, Collegium Musicum 90, Collegium Musicum 90 Choir was released on October 1, 1998. Since Te Deum, Hob. XXIIIc:2 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Joseph Haydn, Richard Hickox, Collegium Musicum 90, Nancy Argenta, Catherine Denley, Mark Padmore, Stephen Varcoe, Collegium Musicum 90 Choir's "Haydn: Paukenmesse" album is number 15 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Te Deum, Hob. XXIIIc:2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Te Deum, Hob. XXIIIc:2 by Joseph Haydn, Richard Hickox, Collegium Musicum 90, Collegium Musicum 90 Choir to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dixit Dominus, HWV 232: Tu es sacerdos in aeternum | George Frideric Handel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 5 | 2B | 82 BPM | ||
Magnificat in D Minor | Thomas Attwood Walmisley, Rochester Cathedral Choir, William Whitehead, Roger Sayer | C Minor | 1 | 5A | 76 BPM | ||
The Duke of Marlborough Fanfare | Percy Grainger, Richard Hickox, BBC Philharmonic Orchestra | B♭ Major | 0 | 6B | 68 BPM | ||
Dona Nobis Pacem Cantata: III. Reconciliation | Ralph Vaughan Williams, Bryden Thomson, London Philharmonic Orchestra, Brian Rayner Cook, Edith Wiens, London Philharmonic Choir | D Major | 2 | 10B | 78 BPM | ||
Arvo Pärt: Bogoróditse Dévo | Arvo Pärt, Schola Cantorum, Tone Bianca Sparre Dahl | A Major | 1 | 11B | 100 BPM | ||
3 Madrigals: No. 1. O Mistress Mine, Where Are You Going | Emma Lou Diemer, University of North Texas A Cappella Choir, North Texas Chamber Choir, Jerry McCoy | G Minor | 1 | 6A | 135 BPM | ||
Magnificat: Suscepit Israel | Giovanni Battista Pergolesi, Ian Partridge, Christopher Keyte, Academy of St. Martin in the Fields, Sir David Willcocks | A♭ Major | 1 | 4B | 120 BPM | ||
With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: VI. Agnus Dei | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 76 BPM | ||
I Will Lift Mine Eyes | Jake Runestad, Seraphic Fire, Patrick Dupre Quigley | D♭ Major | 1 | 3B | 78 BPM |
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