"3 Madrigals: No. 1. O Mistress Mine, Where Are You Going" by Emma Lou Diemer, University of North Texas A Cappella Choir, North Texas Chamber Choir, Jerry McCoy had its release date on January 1, 2008. With This song being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jerry McCoy's "Musicks Empire" album is number 2 out of 16. On top of that, United States appears to be the country where this track was created. Based on our statistics, 3 Madrigals: No. 1. O Mistress Mine, Where Are You Going's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 3 Madrigals: No. 1. O Mistress Mine, Where Are You Going by Emma Lou Diemer, University of North Texas A Cappella Choir, North Texas Chamber Choir, Jerry McCoy to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Vagabond | John Ireland, Roderick Williams, Iain Burnside | A♭ Major | 0 | 4B | 0 BPM | ||
Dominus Pastor Meus (Psalm 23) | Charles Hylton Stewart, Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson | D♭ Minor | 0 | 12A | 60 BPM | ||
My Soul's Been Anchored in the Lord | The Concordia Choir, René Clausen | A Major | 2 | 11B | 137 BPM | ||
Old American Songs I: V. I Bought me a Cat (Arr. I. Fine) | Aaron Copland, Nathaniel Stampley, St. Charles Singers, Elgin Symphony Orchestra, Robert Hanson | F Major | 2 | 7B | 94 BPM | ||
Morike-Chorliederbuch, Op. 19: Der Feuerreiter | Hugo Distler, Berlin Vocal Ensemble, Bernd Stegmann | D Major | 0 | 10B | 81 BPM | ||
Three Madrigals: III. Sigh no more, ladies, sigh no more! | Emma Lou Diemer, Ames Chamber Artists | A♭ Minor | 0 | 1A | 85 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: I. Kyrie | Josef Rheinberger, Ensemble Stuttgart, Frieder Bernius, Kammerchor Stuttgart | E♭ Major | 1 | 5B | 66 BPM | ||
Belshazzar's Feast: The trumpeters and pipers are silent | William Walton, Christopher Purves, Huddersfield Choral Society, Leeds Philharmonic Chorus, Laudibus, English Northern Philharmonia, Simon Lindley, Paul Daniel | A Minor | 0 | 8A | 79 BPM | ||
Exultate Justi! | Lodovico Grossi da Viadana, Gloriae Dei Cantores, Elizabeth C. Patterson | A Major | 2 | 11B | 94 BPM | ||
O Come, Let Us Sing unto the Lord | Emma Lou Diemer, Messiah College Concert Choir, Bryan Jones, Linda L. Tedford | D Minor | 1 | 7A | 114 BPM |