Marc-Antoine Charpentier, William Christie, Les Arts Florissants's 'Charpentier : Médée, Prologue: "Paroissez, charmante Victoire" (Shepherds, Chorus)' came out on March 28, 1995. The duration of Charpentier : Médée, Prologue: "Paroissez, charmante Victoire" (Shepherds, Chorus) is about 3 minutes long, at 3:08. Based on our data, "Charpentier : Médée, Prologue: "Paroissez, charmante Victoire" (Shepherds, Chorus)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 66 in Charpentier : Médée by Marc-Antoine Charpentier, William Christie, Les Arts Florissants. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Charpentier : Médée, Prologue: "Paroissez, charmante Victoire" (Shepherds, Chorus)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Charpentier : Médée, Prologue: "Paroissez, charmante Victoire" (Shepherds, Chorus) by Marc-Antoine Charpentier, William Christie, Les Arts Florissants is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell : King Arthur : Act 3 "See, see, we assemble" [Chorus] Dance | William Christie | B♭ Minor | 2 | 3A | 114 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 87 BPM | ||
Médée, H. 491, Act I: Air. "Que je serais heureux, si j'étais moins aimé" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Cyrille Dubois | G Minor | 3 | 6A | 64 BPM | ||
Harmonia artificioso-ariosa / Partia I: Sonata. Adagio - Presto - Adagio | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Minor | 2 | 12A | 107 BPM | ||
Solomon, HWV 67, Act III: No. 61 Double Chorus "Praise the Lord with harp and tongue!" | George Frideric Handel, Akademie für Alte Musik Berlin, RIAS Kammerchor, Daniel Reuss | D Minor | 10 | 7A | 143 BPM | ||
Beatus vir: I. Beatus vir | Domenico Zipoli, Florilegium, Bolivian Soloists | E Major | 2 | 12B | 117 BPM | ||
Le Bourgeois gentilhomme, LWV 43, Act IV Scene 5: Marche pour la cérémonie des Turcs (Arr. for 2 Harpsichords by William Christie & Justin Taylor) | Jean-Baptiste Lully, William Christie, Justin Taylor | F♯ Minor | 4 | 11A | 85 BPM | ||
King Arthur: Act V, sc.2: Chaconne | Henry Purcell, The Deller Consort and Choir, Continuo, The King’s Musick, Alfred Deller | E Major | 1 | 12B | 75 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
Te Deum: Symphonie | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B Major | 2 | 1B | 106 BPM |
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