Domenico Zipoli, Florilegium, Bolivian Soloists made "Beatus vir: I. Beatus vir" available on 2007. The duration of Beatus vir: I. Beatus vir is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Beatus vir: I. Beatus vir's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 30 in Bolivian Baroque: Music from the Missions of Chiquitos and Moxos Indians by Florilegium, Bolivian Soloists. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Beatus vir: I. Beatus vir is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Beatus vir: I. Beatus vir by Domenico Zipoli, Florilegium, Bolivian Soloists is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Arpeggiata (Prelude) | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 133 BPM | ||
Historia der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu Christi | Heinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM | ||
Balletto à 3 in G Major, Op. 3 No. 3: I. Preludio. Largo | Tomaso Albinoni, London Baroque | F♯ Major | 2 | 2B | 105 BPM | ||
ドメニコ・ツィポーリ:カンツォーナ ヘ長調 | Domenico Zipoli, Lorenzo Ghielmi | B♭ Major | 0 | 6B | 86 BPM | ||
Déraisonnable beauté: Chaconne | Rinaldo Alessandrini | B Major | 1 | 1B | 124 BPM | ||
Scherzi musicali, cioè arie, et madrigali in stil recitativo: Zefiro torna, SV 251 | Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea Marcon | G Major | 2 | 9B | 101 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Dulcis Jesu, pie Deus" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Couplets de folies (Arr. Horsch for Recorder & Lute) | Marin Marais, Lucie Horsch, Thomas Dunford | E♭ Minor | 1 | 2A | 84 BPM | ||
Pastoreta Ypeché Flauta: II. Allegro | Anonymous, Florilegium | B Major | 1 | 1B | 108 BPM | ||
Ode “Welcome to all pleasures | Henry Purcell, Alfred Deller, Gustav Leonhardt, Leonhardt Baroque Ensemble | E Minor | 1 | 9A | 101 BPM |
Section: 0.5439915657043457
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