"Cavalleria Rusticana (1987 - Remaster): O Lola ch'hai di lattl la cammisa (Turiddu)" by Pietro Mascagni, José Carreras, Riccardo Muti, Philharmonia Orchestra was released on 1979. The duration of Cavalleria Rusticana (1987 - Remaster): O Lola ch'hai di lattl la cammisa (Turiddu) is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Cavalleria Rusticana (1987 - Remaster): O Lola ch'hai di lattl la cammisa (Turiddu)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Riccardo Muti, Philharmonia Orchestra's "Mascagni: Cavalleria Rusticana/Leoncavallo: I Pagliacci" album is number 2 out of 44. In terms of popularity, Cavalleria Rusticana (1987 - Remaster): O Lola ch'hai di lattl la cammisa (Turiddu) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cavalleria Rusticana (1987 - Remaster): O Lola ch'hai di lattl la cammisa (Turiddu) by Pietro Mascagni, José Carreras, Riccardo Muti, Philharmonia Orchestra to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: "Tu qui, Santuzza?" (Duetto) - "Fior la giaggolo" | Pietro Mascagni, Luciano Pavarotti, Julia Varady, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 3 | 7B | 109 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Addio, fiorito asil (Pinkerton/Sharpless) | Giacomo Puccini, Carlo Bergonzi, Rolando Panerai, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | G Minor | 2 | 6A | 132 BPM | ||
Don Pasquale, Act III Quinta Scena: Aspetta, aspetta, cara sposina (Pasquale/Malatesta) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | F Major | 3 | 7B | 84 BPM | ||
Fontane di Roma: IV. La fontana di Villa Medici al tramonto | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | A Major | 0 | 11B | 86 BPM | ||
Andrea Chénier: Un dì all'azzurro spazio | Umberto Giordano, José Carreras, Giuseppe Patanè, Hungarian State Orchestra | B♭ Major | 2 | 6B | 84 BPM | ||
Waltz Song: Je veux vivre (from Roméo et Juliette) | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | G Major | 1 | 9B | 72 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | E♭ Major | 3 | 5B | 89 BPM | ||
La Bohème / Act 3: "Dunque: è proprio finita!...Addio, dolce svegliare" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Elizabeth Harwood, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | F♯ Major | 2 | 2B | 92 BPM | ||
Recitative & Aria:Temerari....Come Scoglio (Cosi Fan Tutte, Act I) | Elisabeth Schwarzkopf, Karl Böhm, Philharmonia Orchestra | B♭ Major | 1 | 6B | 138 BPM | ||
Pagliacci: Recitar!...Vesti la giubba (Act I) | Ruggero Leoncavallo, Philharmonia Orchestra, Riccardo Muti, José Carreras | E Major | 2 | 12B | 98 BPM |
Section: 0.7577040195465088
End: 0.7623610496520996