Felix Mendelssohn, Angelika Kirchschlager, Barbara Bonney's 'Lieder (Duette), Op. 63: IV. Herbstlied' came out on October 4, 2004. The duration of Lieder (Duette), Op. 63: IV. Herbstlied is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Lieder (Duette), Op. 63: IV. Herbstlied's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 31 in Erste Begegnung / First Encounter by Barbara Bonney, Angelika Kirchschlager. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Lieder (Duette), Op. 63: IV. Herbstlied is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Lieder (Duette), Op. 63: IV. Herbstlied by Felix Mendelssohn, Angelika Kirchschlager, Barbara Bonney is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verschwiegene Liebe | Hugo Wolf, Jonas Kaufmann, Helmut Deutsch | A Major | 0 | 11B | 74 BPM | ||
Chanson triste (version for voice and piano) | Henri Duparc, Paul Groves, Roger Vignoles | E♭ Major | 1 | 5B | 87 BPM | ||
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, José Carreras, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Major | 2 | 12B | 81 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
Elias, Op. 70, MWV A25, Part II: No. 28, Trio "Hebe deine Augen auf zu den Bergen" (Die Engel) | Felix Mendelssohn, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe | D Major | 3 | 10B | 109 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | E♭ Major | 1 | 5B | 134 BPM | ||
Contes d'Hoffmann: Les oiseaux dans la charnille | Jacques Offenbach, Olga Peretyatko, Miguel Gomez-Martinez | B♭ Major | 2 | 6B | 96 BPM | ||
Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth | Henry Purcell, Leontyne Price, Francesco Molinari-Pradelli | G Minor | 1 | 6A | 86 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | D♭ Major | 1 | 3B | 77 BPM |
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