"Wagner: Lohengrin, Act 1: "Dank, König dir, dass du zu richten kamst" (Frederick, Henry, Herald, Chorus)" by Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Falk Struckmann, René Pape, Roman Trekel, Staatskapelle Berlin was released on 1995. Wagner: Lohengrin, Act 1: "Dank, König dir, dass du zu richten kamst" (Frederick, Henry, Herald, Chorus) is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. The song is number 67 out of 277 in Barenboim - Complete Wagner Operas by Richard Wagner, Daniel Barenboim, Bayreuth Festival Orchestra, Staatskapelle Berlin, Berliner Philharmoniker. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Wagner: Lohengrin, Act 1: "Dank, König dir, dass du zu richten kamst" (Frederick, Henry, Herald, Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wagner: Lohengrin, Act 1: "Dank, König dir, dass du zu richten kamst" (Frederick, Henry, Herald, Chorus) by Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Falk Struckmann, René Pape, Roman Trekel, Staatskapelle Berlin is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder eines fahrenden Gesellen: Ich hab' ein glühend Messer | Gustav Mahler, Christian Gerhaher, Kent Nagano, Orchestre Symphonique de Montréal | E♭ Major | 0 | 5B | 80 BPM | ||
Die Walküre, WWV 86B / Act I: "Die so leidig Los dir beschied" | Richard Wagner, Gundula Janowitz, Jon Vickers, Martti Talvela, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 78 BPM | ||
Das Rheingold, WWV 86A / Zweite Szene: "Ein Runenzauber zwingt das Gold zum Reif" | Richard Wagner, Josephine Veasey, Gerhard Stolze, Donald Grobe, Robert Kerns, Dietrich Fischer-Dieskau, Karl Ridderbusch, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 89 BPM | ||
Carmina Burana / Uf dem Anger: "Chramer, gip die varwe mir" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | C Major | 0 | 8B | 152 BPM | ||
Eine Symphonie zu Dantes Divina Commedia, S109/R426, "Dante Symphony": I. Inferno: Lento | Franz Liszt, Veronika Kincses, Hungarian Radio and Television Ladies Chorus, Budapest Symphony Orchestra, György Lehel | G Major | 4 | 9B | 169 BPM | ||
Die Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf! | Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner | G Major | 2 | 9B | 112 BPM | ||
Die Zauberflöte, K.620 / Act 2: "Wie? Wie? Wie?" | Wolfgang Amadeus Mozart, Caroline Stein, Heidi Zehnder, Anne-Caroline Schlüter, Hanno Müller-Brachmann, Christoph Strehl, Mahler Chamber Orchestra, Claudio Abbado | G Major | 1 | 9B | 111 BPM | ||
Die Zauberflöte, K. 620 / Zweiter Aufzug: "Nur stille, stille, stille, stille!" | Wolfgang Amadeus Mozart, Roberta Peters, Hildegard Hillebrecht, Cvetka Ahlin, Sieglinde Wagner, Friedrich Lenz, Berliner Philharmoniker, Karl Böhm | G Major | 2 | 9B | 79 BPM | ||
Rossini : La Cenerentola : Act 2 "Della Fortuna instabile" [Chorus] | Gioachino Rossini, Carlo Rizzi, Orchestra of the Royal Opera House, Covent Garden | A Major | 2 | 11B | 128 BPM | ||
Samson et Dalila / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Elena Obraztsova, Plácido Domingo, Orchestre de Paris, Daniel Barenboim | D♭ Major | 2 | 3B | 88 BPM |
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