Johann Strauss II, Wiener Philharmoniker, Willi Boskovsky made "Napoleon-Marsch, Op. 156" available on June 2, 2015. The duration of Napoleon-Marsch, Op. 156 is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Napoleon-Marsch, Op. 156's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "The Great Conductors: Willi Boskovsky & Wiener Philharmoniker (2015 Digital Remaster)". In this album, this song's track order is #11. In terms of popularity, Napoleon-Marsch, Op. 156 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Napoleon-Marsch, Op. 156 by Johann Strauss II, Wiener Philharmoniker, Willi Boskovsky having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Delibes: Sylvia: Act III. Cortège de Bacchus | Léo Delibes, San Francisco Symphony, Michael Tilson Thomas | E Major | 4 | 12B | 115 BPM | ||
Sleeping Beauty Waltz | Pyotr Ilyich Tchaikovsky, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | B♭ Major | 2 | 6B | 105 BPM | ||
The 4 Seasons: Violin Concerto in F major, Op. 8, No. 3, RV 293, "L'autunno" (Autumn): I. Allegro | Karoly Botvay | F Major | 0 | 7B | 107 BPM | ||
Guillaume Tell (William Tell): Overture (arr. F. Wrede for 2 pianos 8 hands): Andante - | Gioachino Rossini, Ferdinand Wrede, 12 Pianists | G Major | 0 | 9B | 74 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Polovtsian Dances From "Prince Igor" | Alexander Borodin, Torgny Sporsen, Gothenburg Symphony Orchestra, Neeme Järvi, Gothenburg Symphony Choir | D Major | 1 | 10B | 103 BPM | ||
Minkus: La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 8, Second Shade's Solo | Ludwig Minkus, Sydney Symphony Orchestra, John Lanchbery | G Major | 1 | 9B | 176 BPM | ||
The Arrival Of The Queen Of Sheba, From Solomon | George Frideric Handel, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 3 | 11B | 118 BPM | ||
Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | B Minor | 1 | 10A | 79 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM |
Section: 0.721287727355957
End: 0.7256052494049072