The Arrival Of The Queen Of Sheba, From Solomon by George Frideric Handel, Tafelmusik Baroque Orchestra, Jeanne Lamon

Song Analysis

Audio information that is featured on The Arrival Of The Queen Of Sheba, From Solomon by George Frideric Handel, Tafelmusik Baroque Orchestra, Jeanne Lamon.

Acousticness

94%

Energy

32%

Liveness

29%

Speechiness

4%

Danceability

49%

Instrumentalness

93%

Loudness

69%

Valence

70%

Harmonic Matches

Find songs that harmonically matches to The Arrival Of The Queen Of Sheba, From Solomon by George Frideric Handel, Tafelmusik Baroque Orchestra, Jeanne Lamon. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
Rhapsody In Blue - Live by George Gershwin, Leonard Bernstein, Los Angeles PhilharmonicRhapsody In Blue - LiveGeorge Gershwin, Leonard Bernstein, Los Angeles PhilharmonicA Major111B107
J. Strauss: Radetzky March by Johann Strauss I, Willi Boskovsky, Wiener Johann Strauss OrchesterJ. Strauss: Radetzky MarchJohann Strauss I, Willi Boskovsky, Wiener Johann Strauss OrchesterA Major411B112
String Quintet in E Major, Op. 13, No. 5: III. Minuetto by Luigi Boccherini, Lazar GosmanString Quintet in E Major, Op. 13, No. 5: III. MinuettoLuigi Boccherini, Lazar GosmanA Major111B99
Marcha Radetzky, Op.228 by Johann Strauss II, Inma SharaMarcha Radetzky, Op.228Johann Strauss II, Inma SharaA Major511B107
Marche pour la cérémonie des Turcs (Jean-Baptiste Lully) by Jean-Baptiste Lully, Le Concert Des NationsMarche pour la cérémonie des Turcs (Jean-Baptiste Lully)Jean-Baptiste Lully, Le Concert Des NationsA Major311B144
Rhapsody in Blue by George Gershwin, Gary Graffman, Zubin Mehta, New York PhilharmonicRhapsody in BlueGeorge Gershwin, Gary Graffman, Zubin Mehta, New York PhilharmonicA Major111B107
Radetzky-Marsch, Op.228 by Johann Strauss I, Berliner Philharmoniker, Herbert von KarajanRadetzky-Marsch, Op.228Johann Strauss I, Berliner Philharmoniker, Herbert von KarajanA Major511B114
Prince Igor, Act II: Polovtsian Dances, Dance II by Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio FrancePrince Igor, Act II: Polovtsian Dances, Dance IIAlexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio FranceA Major111B75
Tritsch-Tratsch-Polka, Op. 214 - Arr. Gerald Wirth by Johann Strauss II, Vienna Boys' Choir, Gerald Wirth, Salonorchester Alt WienTritsch-Tratsch-Polka, Op. 214 - Arr. Gerald WirthJohann Strauss II, Vienna Boys' Choir, Gerald Wirth, Salonorchester Alt WienA Major511B160
Going Home (feat. Abigail Washburn) by Antonín Dvořák, The Silk Road Ensemble, Yo-Yo Ma, Abigail WashburnGoing Home (feat. Abigail Washburn)Antonín Dvořák, The Silk Road Ensemble, Yo-Yo Ma, Abigail WashburnA Major111B137
Rhapsody In Blue by George Gershwin, Benjamin Grosvenor, Royal Liverpool Philharmonic Orchestra, James JuddRhapsody In BlueGeorge Gershwin, Benjamin Grosvenor, Royal Liverpool Philharmonic Orchestra, James JuddA Major211B74
Boccherini: String Quintet in E Major, G. 282, Op. 13 No. 6: III. Minuetto - Trio by Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the FieldsBoccherini: String Quintet in E Major, G. 282, Op. 13 No. 6: III. Minuetto - TrioLuigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the FieldsA Major011B85
Musetta's Waltz by Giacomo Puccini, Arranged By, Dick Hyman, Moe KoffmanMusetta's WaltzGiacomo Puccini, Arranged By, Dick Hyman, Moe KoffmanA Major111B86
String Quartet No. 2 in D Major: III. Notturno: Andante by Alexander Borodin, Budapest Haydn QuartetString Quartet No. 2 in D Major: III. Notturno: AndanteAlexander Borodin, Budapest Haydn QuartetA Major111B89
Radetzky-Marsch, Op.228 by Johann Strauss I, Deutsches Symphonie-Orchester Berlin, Ferenc FricsayRadetzky-Marsch, Op.228Johann Strauss I, Deutsches Symphonie-Orchester Berlin, Ferenc FricsayA Major511B111
Panis Angelicus by César Franck, The Priests, Sally Herbert, Academia Philamonica RomanaPanis AngelicusCésar Franck, The Priests, Sally Herbert, Academia Philamonica RomanaA Major211B81
Rhapsody in Blue by George Gershwin, Columbia Symphony Orchestra, Leonard BernsteinRhapsody in BlueGeorge Gershwin, Columbia Symphony Orchestra, Leonard BernsteinA Major211B71
Radetsky March, Op. 228 by Johann Strauss I, Leonard Bernstein, New York PhilharmonicRadetsky March, Op. 228Johann Strauss I, Leonard Bernstein, New York PhilharmonicA Major511B106
Solomon, HWV 67 / Act 3: Sinfonia Solomon, HWV 67 / Act 3: Sinfonia "The Arrival Of The Queen Of Sheba"George Frideric Handel, The English Concert, Trevor PinnockA Major311B118
Rhapsody in Blue by George Gershwin, Michael Tilson Thomas, Los Angeles Philharmonic, Lorin LeveeRhapsody in BlueGeorge Gershwin, Michael Tilson Thomas, Los Angeles Philharmonic, Lorin LeveeA Major211B77

The Arrival Of The Queen Of Sheba, From Solomon by George Frideric Handel, Tafelmusik Baroque Orchestra, Jeanne Lamon Information

This song is track #1 in A Baroque Feast by George Frideric Handel, Tafelmusik Baroque Orchestra, Jeanne Lamon, which has a total of 24 tracks. The duration of this track is 3:11 and was released on April 9, 2002. As of now, this track is currently not as popular as other songs out there. The Arrival Of The Queen Of Sheba, From Solomon doesn't provide as much energy as other songs but, this track can still be danceable to some people.

The Arrival Of The Queen Of Sheba, From Solomon BPM

The Arrival Of The Queen Of Sheba, From Solomon has a BPM of 118. Since this track has a tempo of 118, the tempo markings of this song would be Moderato (at a moderate speed). Based on the tempo, this track could possibly be a great song to play while you are walking. Overall, we believe that this song has a moderate tempo.

The Arrival Of The Queen Of Sheba, From Solomon Key

The key of The Arrival Of The Queen Of Sheba, From Solomon is A Major. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

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