Gioachino Rossini, Ferdinand Wrede, 12 Pianists's 'Guillaume Tell (William Tell): Overture (arr. F. Wrede for 2 pianos 8 hands): Andante -' came out on February 26, 2013. The duration of Guillaume Tell (William Tell): Overture (arr. F. Wrede for 2 pianos 8 hands): Andante - is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Guillaume Tell (William Tell): Overture (arr. F. Wrede for 2 pianos 8 hands): Andante -'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Pictures". In this album, this song's track order is #22. Furthermore, we believe that the track originated from Germany. Guillaume Tell (William Tell): Overture (arr. F. Wrede for 2 pianos 8 hands): Andante - is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Guillaume Tell (William Tell): Overture (arr. F. Wrede for 2 pianos 8 hands): Andante - by Gioachino Rossini, Ferdinand Wrede, 12 Pianists having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Concerto for two violins BWV 1043 in D Minor: Concerto for two violins BWV 1043 in D Minor: II. Largo ma non tanto | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Petra Mullejans | E Major | 1 | 12B | 84 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
Brahms: 21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor (Piano 4-Hands Version) | Johannes Brahms, Nicholas Angelich | F♯ Minor | 1 | 11A | 84 BPM | ||
Debussy / Arr. Roelens: Suite bergamasque, CD 82, L. 75: III. Clair de lune | Claude Debussy, David Oistrakh, Vladimir Yampolsky | D♭ Major | 0 | 3B | 93 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau | Johann Sebastian Bach, Hilary Hahn | E Major | 1 | 12B | 112 BPM | ||
Piano Trio No.2 in E flat, Op.100 D.929: 2. Andante con moto | Franz Schubert, Thomas Demenga, Hansheinz Schneeberger, Jörg Ewald Dähler | C Minor | 0 | 5A | 96 BPM | ||
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM | ||
Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Tasmin Little, Piers Lane | C Major | 1 | 8B | 175 BPM |
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