Hans Abrahamsen, Alexandre Tharaud, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra's 'Abrahamsen: Left, alone: V. Prestissimo tempestuoso' came out on January 17, 2020. With Abrahamsen: Left, alone: V. Prestissimo tempestuoso being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 8 in the song's album "Pesson, Abrahamsen & Strasnoy: Piano Concertos". In this album, this song's track order is #5. Abrahamsen: Left, alone: V. Prestissimo tempestuoso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Abrahamsen: Left, alone: V. Prestissimo tempestuoso by Hans Abrahamsen, Alexandre Tharaud, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
This Too Shall Pass | Raminta Šerkšnyte, Gidon Kremer, Magdalena Ceple, Andrei Pushkarev, Kremerata Baltica | A Minor | 1 | 8A | 88 BPM | ||
Night Tide Light | Fred Hersch | D♭ Major | 0 | 3B | 64 BPM | ||
11 Gates: No. 1. Drifting into D Major | Anders Hillborg, Royal Stockholm Philharmonic Orchestra, Esa-Pekka Salonen | G Major | 1 | 9B | 85 BPM | ||
The Revd Mustard his Installation Prelude | Nico Muhly, James McVinnie | D Major | 1 | 10B | 108 BPM | ||
China Gates | John Adams | E♭ Minor | 1 | 2A | 165 BPM | ||
Sonatina for Piano 4 Hands: II. Andante | György Ligeti, Pierre-Laurent Aimard, Irina Kataeva | F Major | 0 | 7B | 79 BPM | ||
North Star: Étoile polaire (Arranged by James McVinnie) | Philip Glass, James McVinnie | C Minor | 0 | 5A | 126 BPM | ||
Raduysya (Rejoice): IV. And he returned to his own abode (Nun ist er in sein Haus zurückgekehrt) | Sofia Gubaidulina, Oleh Krysa, Torleif Thedéen | F♯ Minor | 0 | 11A | 98 BPM | ||
Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": I. Suo (The Marsh) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | F♯ Major | 1 | 2B | 119 BPM | ||
Preludes in Quarter-Tone System: I | Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher | B♭ Minor | 1 | 3A | 137 BPM |
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