"Raduysya (Rejoice): IV. And he returned to his own abode (Nun ist er in sein Haus zurückgekehrt)" by Sofia Gubaidulina, Oleh Krysa, Torleif Thedéen was released on February 28, 1993. Raduysya (Rejoice): IV. And he returned to his own abode (Nun ist er in sein Haus zurückgekehrt) is about six minutes long, preciously at 6:20, making this song fairly long compared to other songs. The track order of this song in Sofia Gubaidulina, James DePreist's "Gubaidulina: Offertorium/ Rejoice! Freue Dich" album is number 5 out of 6. In terms of popularity, Raduysya (Rejoice): IV. And he returned to his own abode (Nun ist er in sein Haus zurückgekehrt) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Raduysya (Rejoice): IV. And he returned to his own abode (Nun ist er in sein Haus zurückgekehrt) by Sofia Gubaidulina, Oleh Krysa, Torleif Thedéen to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 5 in C Minor: V. Air (Arr. for Theremin & Piano) | Johann Mattheson, Clara Rockmore, Nadia Reisenberg | E Minor | 0 | 9A | 90 BPM | ||
Metropolis: III. Furioso: Die Versohnung | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | A♭ Major | 2 | 4B | 96 BPM | ||
The Blessing | Bobby Krlic | D♭ Major | 3 | 3B | 72 BPM | ||
Sonata and Interludes for Prepared Piano: Sonata V | John Cage, Joanna MacGregor | G Minor | 2 | 6A | 126 BPM | ||
Zmartwychwstanie: II. Stichíra | Krzysztof Penderecki, Andrzej Markowski | G Minor | 6 | 6A | 175 BPM | ||
Naval Officer | Jocelyn Pook | G Minor | 1 | 6A | 68 BPM | ||
The Canticle of the Sun: No. 18, "Laudato si, mi Signore, per sora nostra morte corporale" | Sofia Gubaidulina, Collegium Vocale Gent, Daniel Reuss, Pieter Wispelwey, Members of the Prometheus Ensemble | E Minor | 0 | 9A | 76 BPM | ||
Six Encores: Wasserklavier | Luciano Berio, Andrea Lucchesini | D♭ Major | 0 | 3B | 82 BPM | ||
A Room: From She Is Asleep - From She Is Asleep | John Cage, Bruce Brubaker | D♭ Minor | 0 | 12A | 147 BPM | ||
Song of the Angel | John Tavener, Academy of Ancient Music, Patricia Rozario, Paul Goodwin, Andrew Manze | E Major | 0 | 12B | 71 BPM |
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