"Tavener: Two Hymns to the Mother of God: In you O Woman Full of Grace" by Choir of Jesus College, Cambridge, Greg Morris, Julian Thomas was released on October 27, 2007. The duration of Tavener: Two Hymns to the Mother of God: In you O Woman Full of Grace is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Tavener: Two Hymns to the Mother of God: In you O Woman Full of Grace's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 13 in Awake My Glory by Choir of Jesus College, Cambridge. Based on our statistics, Tavener: Two Hymns to the Mother of God: In you O Woman Full of Grace's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tavener: Two Hymns to the Mother of God: In you O Woman Full of Grace by Choir of Jesus College, Cambridge, Greg Morris, Julian Thomas is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass for Double Choir: IV. Sanctus - Benedictus | Frank Martin, Westminster Choir, Joe Miller | D Major | 2 | 10B | 122 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: I. Kyrie | Josef Rheinberger, Ensemble Stuttgart, Frieder Bernius, Kammerchor Stuttgart | E♭ Major | 1 | 5B | 66 BPM | ||
Greater Love Hath No Man | John Ireland, Choir of Jesus College, Cambridge, Dominic Hill, Michael Mofidan, Robert Dixon, Mark Williams | D Major | 1 | 10B | 176 BPM | ||
The Second Dirge Anthem: Man That Is Born of a Woman – In the Midst of Life – Thou Knowest, Lord, Z. 58b | Thomas Morley, Henry Purcell, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 135 BPM | ||
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
Adoramus Te, Christe | The Wartburg Choir, Dr. Lee Nelson | E Major | 0 | 12B | 131 BPM | ||
Messe solennelle, Op. 16: I. Kyrie | Louis Vierne, Gloucester Cathedral Choir, Mark Lee, David Briggs | F Minor | 3 | 4A | 91 BPM | ||
Remember Not, Lord, Our Offences, Z. 50 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 133 BPM | ||
All-night Vigil, Op. 37, "Vespers": Hexapsalms: Glory to God on high | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 71 BPM | ||
Burial Service: I. Man that is Born of a Woman | Thomas Morley, Michael Bawtree, Annabell McLauchlan, David Rowland | G Minor | 0 | 6A | 98 BPM |
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