Mozart: Don Giovanni, K. 527, Act 1 Scene 19: "Protegge il giusto cielo" (Donna Anna, Don Ottavio, Donna Elvira) - Wolfgang Amadeus Mozart, Cheryl Studer, Riccardo Muti, Wiener Philharmoniker Information

Acousticness: 99%
Danceability: 23%
Energy: 3%
Instrumentalness: 0%
Liveness: 8%
Loudness: 46%
Speechiness: 5%
Valence: 4%
Popularity: 1%
Loudness: -32.21 dB

Summary

"Mozart: Don Giovanni, K. 527, Act 1 Scene 19: "Protegge il giusto cielo" (Donna Anna, Don Ottavio, Donna Elvira)" by Wolfgang Amadeus Mozart, Cheryl Studer, Riccardo Muti, Wiener Philharmoniker had its release date on 1991. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Mozart: Don Giovanni, K. 527, Act 1 Scene 19: "Protegge il giusto cielo" (Donna Anna, Don Ottavio, Donna Elvira)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Riccardo Muti's "Mozart: Don Giovanni" album is number 9 out of 70. Mozart: Don Giovanni, K. 527, Act 1 Scene 19: "Protegge il giusto cielo" (Donna Anna, Don Ottavio, Donna Elvira) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Mozart: Don Giovanni, K. 527, Act 1 Scene 19: "Protegge il giusto cielo" (Donna Anna, Don Ottavio, Donna Elvira) BPM

We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 1 Scene 19: "Protegge il giusto cielo" (Donna Anna, Don Ottavio, Donna Elvira) by Wolfgang Amadeus Mozart, Cheryl Studer, Riccardo Muti, Wiener Philharmoniker to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Mozart: Don Giovanni, K. 527, Act 1 Scene 19: "Protegge il giusto cielo" (Donna Anna, Don Ottavio, Donna Elvira) Key

The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Die Walküre / Erster Aufzug: "Winterstürme wichen dem Wonnemond"	Richard Wagner, James King, Wiener Philharmoniker, Sir Georg Solti	F Major	2	7B	82 BPM
Salome, Op. 54 / Scene 2: "Jauchze nicht, du Land Palästina"	Richard Strauss, Cheryl Studer, Marianne Rorholm, Bryn Terfel, Clemens Bieber, Bengt Rundgren, William Murray, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli	A♭ Major	3	4B	128 BPM
Mozart: Die Zauberflöte, K. 620, Act 2: "Alles fühlt der Liebe Freuden" (Monostatos)	Wolfgang Amadeus Mozart, Heinz Zednik/Symphonieorchester des Bayerischen Rundfunks/Bernard Haitink, Bernard Haitink, Bayerischer Rundfunk, Sinfonie-Orchester Des Bayerischen Rundfunks	G Major	2	9B	144 BPM
The Magic Flute, Act II: The wrath of hell is burning in my bosom	Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Elizabeth Vidal, Rebecca Evans, John Graham-Hall, John Tomlinson	F Major	2	7B	130 BPM
Vier letzte Lieder: 3. Beim Schlafengehen	Richard Strauss, Cheryl Studer, Staatskapelle Dresden, Giuseppe Sinopoli	D♭ Major	1	3B	83 BPM
Die lustige Witwe / Act II: "Ich bitte, hier jetzt zu verweilen" - "Es lebt' eine Vilja"	Franz Lehár, Cheryl Studer, Wiener Philharmoniker, John Eliot Gardiner, The Monteverdi Choir	E Minor	1	9A	73 BPM
Salome, Op.54 / Scene 4: "Ah! Ich habe deinen Mund geküsst, Jochanaan"	Richard Strauss, Cheryl Studer, Horst Hiestermann, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli	D♭ Major	1	3B	85 BPM
Don Giovanni, K. 527: Act I Scene 7: Coro: Giovinette che fate all'amore (Zerlina, Masetto, Chorus)	Wolfgang Amadeus Mozart, Bo Skovhus, Janusz Monarcha, Adrianne Pieczonka, Torsten Kerl, Regina Schorg, Renato Girolami, Boaz Daniel, Ildiko Raimondi, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz	G Major	4	9B	128 BPM
Requiem, Op. 48: 4. Pie Jesu	Gabriel Fauré, Cheryl Studer, London Symphony Orchestra, Ion Marin	B♭ Major	0	6B	82 BPM
Mass in C minor, K.427 "Grosse Messe": 1. Kyrie	Wolfgang Amadeus Mozart, Kiri Te Kanawa, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner	C Minor	1	5A	83 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records