Die lustige Witwe / Act II: "Ich bitte, hier jetzt zu verweilen" - "Es lebt' eine Vilja" - Franz Lehár, Cheryl Studer, Wiener Philharmoniker, John Eliot Gardiner, The Monteverdi Choir Information

Acousticness: 99%
Danceability: 32%
Energy: 11%
Instrumentalness: 0%
Liveness: 30%
Loudness: 68%
Speechiness: 6%
Valence: 13%
Popularity: 6%
Loudness: -19.307 dB

Summary

"Die lustige Witwe / Act II: "Ich bitte, hier jetzt zu verweilen" - "Es lebt' eine Vilja"" by Franz Lehár, Cheryl Studer, Wiener Philharmoniker, John Eliot Gardiner, The Monteverdi Choir was released on January 1, 1994. Since Die lustige Witwe / Act II: "Ich bitte, hier jetzt zu verweilen" - "Es lebt' eine Vilja" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Franz Lehár, Cheryl Studer, Barbara Bonney, Rainer Trost, Boje Skovhus, Bryn Terfel, Wiener Philharmoniker, John Eliot Gardiner, The Monteverdi Choir's "Lehár: Die lustige Witwe" album is number 11 out of 25. On top of that, Germany appears to be the country where this track was created. Die lustige Witwe / Act II: "Ich bitte, hier jetzt zu verweilen" - "Es lebt' eine Vilja" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Die lustige Witwe / Act II: "Ich bitte, hier jetzt zu verweilen" - "Es lebt' eine Vilja" BPM

We consider the tempo marking of Die lustige Witwe / Act II: "Ich bitte, hier jetzt zu verweilen" - "Es lebt' eine Vilja" by Franz Lehár, Cheryl Studer, Wiener Philharmoniker, John Eliot Gardiner, The Monteverdi Choir to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.

Die lustige Witwe / Act II: "Ich bitte, hier jetzt zu verweilen" - "Es lebt' eine Vilja" Key

E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Serenade in C Major, Op. 48: II. Walzer	Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont	G Major	2	9B	180 BPM
Der Zigeunerbaron, Act I: Als flotter Geist - Ja, das alles auf Ehr	Nicolai Gedda, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Franz Allers	C Major	4	8B	84 BPM
Les contes d'Hoffmann (The Tales of Hoffmann) (arr. M. Rosenthal for orchestra): Ouverture - Barbe-Bleu	Jacques Offenbach, Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra	E Major	3	12B	134 BPM
Carmina Burana / III. Cour d'amours: "In trutina"	Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum	G Major	0	9B	89 BPM
Das Land des Lächelns - Arr. Bert Grund / Act 2: Dein ist mein ganzes Herz	Franz Lehár, René Kollo, Radio-Sinfonieorchester Stuttgart, Wolfgang Ebert	D♭ Major	3	3B	74 BPM
Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès)	Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris	C Major	2	8B	138 BPM
Tre giorni son che Nina	Giovanni Battista Pergolesi, Carlo Bergonzi, Felix Lavilla	G Major	1	9B	133 BPM
Der Vogelhändler · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Grüß euch Gott, alle miteinander (Adam - Chor)	Carl Zeller, Anneliese Rothenberger, Adolf Dallapozza, Gisela Litz, Gerhard Unger, Walter Berry, Chor der Wiener Staatsoper in der Volksoper, Wiener Symphoniker, Renate Holm, Jürgen Förster, Karl Dönch, Wolfgang Anheisser, Willi Boskovsky	G Major	2	9B	93 BPM
Mozart: Le nozze di Figaro, Act 2: "Porgi amor qualche ristoro" (La Contessa)	Wolfgang Amadeus Mozart, Daniel Barenboim, Berliner Philharmoniker, Lella Cuberli	E♭ Major	1	5B	178 BPM
Die lustige Witwe, Act III: Finale. "Jetzt gehn wir zu Maxim" (Ensemble, Chor)	Franz Lehár, Hamburger Rundfunkorchester, Wilhelm Stephan, Joseph Olah, Anneliese Rothenberger, Rudolf Schock, Elfride Trötschel, Alfred Pfeifle, Otto Albrecht, Fritz Göllnitz, Jacques Offenbach, Reinhold Luttjohann, Jo Wegener, Hamburger Rundfunkchor	D Major	6	10B	81 BPM

ISRC: DEF059430313
Label: L-M Records/RCA Records

Section: 0.7636935710906982

End: 0.767310619354248