Nicolai Gedda, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Franz Allers made "Der Zigeunerbaron, Act I: Als flotter Geist - Ja, das alles auf Ehr" available on February 19, 2010. The duration of Der Zigeunerbaron, Act I: Als flotter Geist - Ja, das alles auf Ehr is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Der Zigeunerbaron, Act I: Als flotter Geist - Ja, das alles auf Ehr's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 234 in the song's album "Nicolai Gedda: Lyric Poet of the Tenor Voice". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Der Zigeunerbaron, Act I: Als flotter Geist - Ja, das alles auf Ehr is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Der Zigeunerbaron, Act I: Als flotter Geist - Ja, das alles auf Ehr by Nicolai Gedda, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Franz Allers having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mose in Egitto, Act III: Act III: La tua promessa a reclamar (Mose, Faraone, Osiride, Aufide, Anaide, Maira, Chorus) | Gioachino Rossini, Carol Vaness, Friedrich Lenz, Jan-Hendrick Rootering, Bavarian State Opera Chorus, Bavarian State Orchestra, Cornelia Wulkopf, Ruggero Raimondi, Bodo Brinkmann, Wolfgang Sawallisch | C Major | 2 | 8B | 72 BPM | ||
Lucia di Lammermoor Tu che a dio spiegasti l'ali | Mario del Monaco | D♭ Major | 2 | 3B | 75 BPM | ||
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM | ||
O tu che in seno agli Angeli | Mario del Monaco | D Major | 2 | 10B | 93 BPM | ||
Die Meistersinger von Nürnberg: Vorspiel/Prelude/Prélude (Orchester) | Richard Wagner, Bavarian State Orchestra, Wolfgang Sawallisch | A♭ Major | 1 | 4B | 91 BPM | ||
Tosca / Act 1: "Recondita armonia" | Giacomo Puccini, José Carreras, Fernando Corena, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 78 BPM | ||
La traviata / Act I: "E strano! ... Ah, fors'è lui" | Giuseppe Verdi, Ileana Cotrubas, Bavarian State Orchestra, Carlos Kleiber | F Major | 1 | 7B | 74 BPM | ||
L'elisir d'amore / Act 1: "Benedette queste carte!" - "Della crudele Isotta" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E Major | 1 | 12B | 75 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Dame Joan Sutherland, Ambrosian Light Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | F♯ Major | 2 | 2B | 88 BPM | ||
Serse, HWV 40, Act I: Frondi tenere e belle ... Ombra mai fù | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 94 BPM |
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