Richard Strauss, Cheryl Studer, Marianne Rorholm, Bryn Terfel, Clemens Bieber, Bengt Rundgren, William Murray, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli's 'Salome, Op. 54 / Scene 2: "Jauchze nicht, du Land Palästina"' came out on January 1, 1991. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 32 in the song's album "Richard Strauss: Salome". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. Based on our statistics, Salome, Op. 54 / Scene 2: "Jauchze nicht, du Land Palästina"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Salome, Op. 54 / Scene 2: "Jauchze nicht, du Land Palästina" by Richard Strauss, Cheryl Studer, Marianne Rorholm, Bryn Terfel, Clemens Bieber, Bengt Rundgren, William Murray, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8, Zweiter Teil: X. Uns bleibt ein Erdenrest | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Knaben des Staats- und Domchors Berlin, Lilli Paasikivi, Johan Botha | E♭ Major | 1 | 5B | 122 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Verachtet mir die Meister nicht" | Richard Wagner, Norman Bailey, Kurt Moll, Michel Sénéchal, Adalbert Kraus, Martin Egel, Bernd Weikl, Gerd Nienstedt, Max Schönherr, Wolfgang Appel, Herbert Berger-Tuna, Kurt Rydl, Rudolf A Hartmann, René Kollo, Adolf Dallapozza, Hannelore Bode, Julia Hamari, Gumpoldskirchner Spatzen, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | F Major | 4 | 7B | 179 BPM | ||
Tjenerindens Fortaelling (the Handmaid's Tale), Act I Scene 2: The House in the Day [Offred, Serena Joy, Rita] | Poul Ruders, Marianne Rorholm, Hanne Fischer, Poul Elming, Ulla Kudsk-Jensen, Anne Margrethe Dahl, Djina Mai-Mai, Lise-Lotte Nielsen, Annita Wadsholt, Susanne Resmark, Kari Hamnoy, Aage Haugland, Gert Henning-Jensen, Elsebeth Lund, Pia Hansen, Bengt-Ola Morgny, Elisabeth Halling, John Laursen, Uffe Henriksen, Morten Kramp, Royal Danish Opera Chorus, Royal Danish Orchestra, Michael Schønwandt | B♭ Major | 1 | 6B | 104 BPM | ||
Die Dorfschule, Op. 64: Er zählt die Pulte | Felix Weingartner, Clemens Bieber, Elena Zhidkova, Orchester der Deutschen Oper Berlin, Jacques Lacombe | C Major | 1 | 8B | 135 BPM | ||
R. Strauss: Ariadne auf Naxos: Ach, so versuchet doch ein kleines Lied! - The Opera | Richard Strauss, Viorica Ursuleac, Helge Rosvaenge, Erna Berger, Miliza Korjus, Gertrude Runger, Ilonka Holndonner, Karl Hammes, Benno Arnold, Eugen Fuchs, Erich Zimmermann, Reichssenders Orchestra, Clemens Krauss | A♭ Major | 2 | 4B | 72 BPM | ||
Mass No. 11 in C Major, K. 257, "Credo": Sanctus | Wolfgang Amadeus Mozart, Barbara Schlick, Erika Schmidt-Valentin, Clemens Bieber, Thomas Quasthoff, Limburger Cathedral Boys Choir, Gürzenich Orchester Köln, Klaus Knubben | D Major | 0 | 10B | 63 BPM | ||
Korsfarerne (The Crusaders), Op. 50: III. Mod Jerusalem (Towards Jerusalem): Aria (Tenor) | Niels Gade, Marianne Rorholm, Kurt Westi, Ulrik Cold, Canzone Choir, Camera Choir, The, Choir 72, Aarhus Music Students Chamber Choir, Aarhus Symphony Orchestra, Frans Rasmussen | F♯ Major | 0 | 2B | 145 BPM | ||
Wozzeck / Act I: Scene I: The Captain's room. "Langsam, Wozzeck, langsam!" | Alban Berg, Franz Grundheber, Heinz Zednik, Wiener Philharmoniker, Claudio Abbado | A♭ Major | 2 | 4B | 122 BPM | ||
Rusalka, Op.114 / Act 1: Jel mlady lovec, jel a jel | Antonín Dvořák, Ivan Kusnjer, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 0 | 4B | 126 BPM | ||
Bergliot: No. 4 Kaeden sig spraenger | Peter Arnold Heise, Marianne Rorholm, Helsingborg Symphony Orchestra, Frans Rasmussen | E♭ Minor | 1 | 2A | 110 BPM |
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