Bergliot: No. 4 Kaeden sig spraenger
Peter Arnold Heise, Marianne Rorholm, Helsingborg Symphony Orchestra, Frans Rasmussen
Heise: Tornerose / Bergliot
3:10 April 30, 2000
BPM
110
Key
E♭ Minor
Camelot
2A

Embed

Share Link

Bergliot: No. 4 Kaeden sig spraenger - Peter Arnold Heise, Marianne Rorholm, Helsingborg Symphony Orchestra, Frans Rasmussen Information

Acousticness
98%
Danceability
31%
Energy
6%
Instrumentalness
0%
Liveness
12%
Loudness
62%
Speechiness
5%
Valence
4%
Popularity
Loudness
-23.058 dB

Summary

"Bergliot: No. 4 Kaeden sig spraenger" by Peter Arnold Heise, Marianne Rorholm, Helsingborg Symphony Orchestra, Frans Rasmussen was released on April 30, 2000. The duration of Bergliot: No. 4 Kaeden sig spraenger is about 3 minutes long, at 3:10. Based on our data, "Bergliot: No. 4 Kaeden sig spraenger" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Peter Arnold Heise's "Heise: Tornerose / Bergliot" album is number 13 out of 17. In terms of popularity, Bergliot: No. 4 Kaeden sig spraenger is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Bergliot: No. 4 Kaeden sig spraenger BPM

We consider the tempo marking of Bergliot: No. 4 Kaeden sig spraenger by Peter Arnold Heise, Marianne Rorholm, Helsingborg Symphony Orchestra, Frans Rasmussen to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.

Bergliot: No. 4 Kaeden sig spraenger Key

This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
La favorite, A. 58, Act I Scenes 1 & 2: Pieux monastère ! - Ne vas-tu pas prier avec eux ? by Gaetano Donizetti, Evgeny Stavinsky, Javier Camarena, Donizetti Opera Choir, Coro dell'Accademia Teatro alla Scala, Donizetti Opera Orchestra, Riccardo FrizzaLa favorite, A. 58, Act I Scenes 1 & 2: Pieux monastère ! - Ne vas-tu pas prier avec eux ?Gaetano Donizetti, Evgeny Stavinsky, Javier Camarena, Donizetti Opera Choir, Coro dell'Accademia Teatro alla Scala, Donizetti Opera Orchestra, Riccardo FrizzaB♭ Minor13A76 BPM
12 Gedichte, Op. 35: No. 4. Erstes Grun by Robert Schumann, Margaret Price, James Lockhart12 Gedichte, Op. 35: No. 4. Erstes GrunRobert Schumann, Margaret Price, James LockhartG Major09B85 BPM
Annelies (chamber version): V. Life in hiding by James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James JordanAnnelies (chamber version): V. Life in hidingJames Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James JordanA Minor18A78 BPM
Liebesliederwalzer, Op. 52: Liebesliederwalzer, Op. 52: I. Rede, Mädchen, allzu liebes by Johannes Brahms, Camillo Radicke, Marlis Petersen, Werner Güra, Konrad Jarnot, Christoph Berner, Stella DoufexisLiebesliederwalzer, Op. 52: Liebesliederwalzer, Op. 52: I. Rede, Mädchen, allzu liebesJohannes Brahms, Camillo Radicke, Marlis Petersen, Werner Güra, Konrad Jarnot, Christoph Berner, Stella DoufexisE Major212B94 BPM
Liebeslieder-Walzer, Op. 52: No. 10, O wie sanft die Quelle sich by Johannes Brahms, RIAS Kammerchor, Justin Doyle, Angela Gassenhuber, Philip MayersLiebeslieder-Walzer, Op. 52: No. 10, O wie sanft die Quelle sichJohannes Brahms, RIAS Kammerchor, Justin Doyle, Angela Gassenhuber, Philip MayersC Major08B177 BPM
Don Giovanni, K. 527 (1788 Vienna Version), Act I: Dalla sua pace, K. 540a - Remastered 2024 by Wolfgang Amadeus Mozart, Anton Dermota, The New Symphony Orchestra Of London, Josef KripsDon Giovanni, K. 527 (1788 Vienna Version), Act I: Dalla sua pace, K. 540a - Remastered 2024Wolfgang Amadeus Mozart, Anton Dermota, The New Symphony Orchestra Of London, Josef KripsF Major17B75 BPM
The Music Makers, Op. 69: II. We are the music makers (Chorus) by Edward Elgar, Andrew Davis, BBC Symphony Orchestra, BBC Symphony ChorusThe Music Makers, Op. 69: II. We are the music makers (Chorus)Edward Elgar, Andrew Davis, BBC Symphony Orchestra, BBC Symphony ChorusB♭ Minor03A128 BPM
Opus 2: V. Killebukken by Rikard Nordraak, Bjørnstjerne Bjørnson, Helene Wold, Eugene AstiOpus 2: V. KillebukkenRikard Nordraak, Bjørnstjerne Bjørnson, Helene Wold, Eugene AstiC Major08B77 BPM
Dors, mon enfant, WWV 53 (Arr. Fontanelli for Voice and Ensemble) by Richard Wagner, KammerMusikKöln, Kathrin ZukowskiDors, mon enfant, WWV 53 (Arr. Fontanelli for Voice and Ensemble)Richard Wagner, KammerMusikKöln, Kathrin ZukowskiE♭ Major15B69 BPM
Clos ta paupière by Charles Gounod, Véronique Gens, Munich Radio Orchestra, Herve NiquetClos ta paupièreCharles Gounod, Véronique Gens, Munich Radio Orchestra, Herve NiquetB♭ Major16B74 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6508102416992188

End: 0.656339168548584