"Bergliot: No. 4 Kaeden sig spraenger" by Peter Arnold Heise, Marianne Rorholm, Helsingborg Symphony Orchestra, Frans Rasmussen was released on April 30, 2000. The duration of Bergliot: No. 4 Kaeden sig spraenger is about 3 minutes long, at 3:10. Based on our data, "Bergliot: No. 4 Kaeden sig spraenger" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Peter Arnold Heise's "Heise: Tornerose / Bergliot" album is number 13 out of 17. In terms of popularity, Bergliot: No. 4 Kaeden sig spraenger is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bergliot: No. 4 Kaeden sig spraenger by Peter Arnold Heise, Marianne Rorholm, Helsingborg Symphony Orchestra, Frans Rasmussen to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La favorite, A. 58, Act I Scenes 1 & 2: Pieux monastère ! - Ne vas-tu pas prier avec eux ? | Gaetano Donizetti, Evgeny Stavinsky, Javier Camarena, Donizetti Opera Choir, Coro dell'Accademia Teatro alla Scala, Donizetti Opera Orchestra, Riccardo Frizza | B♭ Minor | 1 | 3A | 76 BPM | ||
12 Gedichte, Op. 35: No. 4. Erstes Grun | Robert Schumann, Margaret Price, James Lockhart | G Major | 0 | 9B | 85 BPM | ||
Annelies (chamber version): V. Life in hiding | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | A Minor | 1 | 8A | 78 BPM | ||
Liebesliederwalzer, Op. 52: Liebesliederwalzer, Op. 52: I. Rede, Mädchen, allzu liebes | Johannes Brahms, Camillo Radicke, Marlis Petersen, Werner Güra, Konrad Jarnot, Christoph Berner, Stella Doufexis | E Major | 2 | 12B | 94 BPM | ||
Liebeslieder-Walzer, Op. 52: No. 10, O wie sanft die Quelle sich | Johannes Brahms, RIAS Kammerchor, Justin Doyle, Angela Gassenhuber, Philip Mayers | C Major | 0 | 8B | 177 BPM | ||
Don Giovanni, K. 527 (1788 Vienna Version), Act I: Dalla sua pace, K. 540a - Remastered 2024 | Wolfgang Amadeus Mozart, Anton Dermota, The New Symphony Orchestra Of London, Josef Krips | F Major | 1 | 7B | 75 BPM | ||
The Music Makers, Op. 69: II. We are the music makers (Chorus) | Edward Elgar, Andrew Davis, BBC Symphony Orchestra, BBC Symphony Chorus | B♭ Minor | 0 | 3A | 128 BPM | ||
Opus 2: V. Killebukken | Rikard Nordraak, Bjørnstjerne Bjørnson, Helene Wold, Eugene Asti | C Major | 0 | 8B | 77 BPM | ||
Dors, mon enfant, WWV 53 (Arr. Fontanelli for Voice and Ensemble) | Richard Wagner, KammerMusikKöln, Kathrin Zukowski | E♭ Major | 1 | 5B | 69 BPM | ||
Clos ta paupière | Charles Gounod, Véronique Gens, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM |
Section: 0.6508102416992188
End: 0.656339168548584