Dors, mon enfant, WWV 53 (Arr. Fontanelli for Voice and Ensemble)
Richard Wagner, KammerMusikKöln, Kathrin Zukowski
The Wagner Project
2:20 April 19, 2024
BPM
69
Key
E♭ Major
Camelot
5B

Embed

Share Link

Dors, mon enfant, WWV 53 (Arr. Fontanelli for Voice and Ensemble) - Richard Wagner, KammerMusikKöln, Kathrin Zukowski Information

Acousticness
98%
Danceability
27%
Energy
9%
Instrumentalness
1%
Liveness
11%
Loudness
70%
Speechiness
6%
Valence
6%
Popularity
Loudness
-17.889 dB

Summary

"Dors, mon enfant, WWV 53 (Arr. Fontanelli for Voice and Ensemble)" by Richard Wagner, KammerMusikKöln, Kathrin Zukowski was released on April 19, 2024. The duration of Dors, mon enfant, WWV 53 (Arr. Fontanelli for Voice and Ensemble) is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Dors, mon enfant, WWV 53 (Arr. Fontanelli for Voice and Ensemble)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "The Wagner Project". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Dors, mon enfant, WWV 53 (Arr. Fontanelli for Voice and Ensemble) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Dors, mon enfant, WWV 53 (Arr. Fontanelli for Voice and Ensemble) BPM

With Dors, mon enfant, WWV 53 (Arr. Fontanelli for Voice and Ensemble) by Richard Wagner, KammerMusikKöln, Kathrin Zukowski having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Dors, mon enfant, WWV 53 (Arr. Fontanelli for Voice and Ensemble) Key

This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Le Carnaval du Parnasse, Act II Scene 5: 1er & 2ème Airs by Jean-Joseph Cassanéa De Mondonville, Les Ambassadeurs ~ La Grande Écurie, Alexis KossenkoLe Carnaval du Parnasse, Act II Scene 5: 1er & 2ème AirsJean-Joseph Cassanéa De Mondonville, Les Ambassadeurs ~ La Grande Écurie, Alexis KossenkoF Minor44A141 BPM
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Numi, barbari Numi!" (Orfeo)Christoph Willibald Gluck, Stefan Plewniak, Jakub Józef Orliński, Il Giardino d'AmoreD♭ Major33B129 BPM
Götterdämmerung, WWV 86D / Act 1: Altgewohntes Geräusch raunt meinem Ohr in die Ferne by Richard Wagner, Birgit Nilsson, Christa Ludwig, Wiener Philharmoniker, Sir Georg SoltiGötterdämmerung, WWV 86D / Act 1: Altgewohntes Geräusch raunt meinem Ohr in die FerneRichard Wagner, Birgit Nilsson, Christa Ludwig, Wiener Philharmoniker, Sir Georg SoltiG Major29B70 BPM
Missa Paschalis, ZWV 7: Kyrie. Christe eleison by Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Terry WeyMissa Paschalis, ZWV 7: Kyrie. Christe eleisonJan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Terry WeyA♭ Major14B105 BPM
Strozzi: L’amante segreto (Arr. Pluhar) by Barbara Strozzi, Christina Pluhar, L'Arpeggiata, Céline ScheenStrozzi: L’amante segreto (Arr. Pluhar)Barbara Strozzi, Christina Pluhar, L'Arpeggiata, Céline ScheenC Major28B118 BPM
Messe pour le sacre de Napoléon: III. Gloria, Laudamus te by Giovanni Paisiello, Sandrine Piau, Chantal Santon Jeffery, Éléonore Pancrazi, Mathias Vidal, Thomas Dolie, Chœur De Chambre De Namur, Le Concert de la Loge, Julien ChauvinMesse pour le sacre de Napoléon: III. Gloria, Laudamus teGiovanni Paisiello, Sandrine Piau, Chantal Santon Jeffery, Éléonore Pancrazi, Mathias Vidal, Thomas Dolie, Chœur De Chambre De Namur, Le Concert de la Loge, Julien ChauvinD Major210B76 BPM
5 mélodies populaires grecques: No. 3, Quel galant m'est comparable by Radio Bratislava Symphony Orchestra, Paulina Stark, Dennis Burkh5 mélodies populaires grecques: No. 3, Quel galant m'est comparableRadio Bratislava Symphony Orchestra, Paulina Stark, Dennis BurkhG Major19B0 BPM
Sogno (Arr. Bleton for Mezzosoprano and Guitar) by Paolo Tosti, Elina Garanca, Raphaël FeuillâtreSogno (Arr. Bleton for Mezzosoprano and Guitar)Paolo Tosti, Elina Garanca, Raphaël FeuillâtreA♭ Major04B81 BPM
Pimpinone, TWV 21:15, Pt. 1: Chi mi vuol, son cameriera by Georg Philipp Telemann, Marie-Sophie Pollak, Akademie für Alte Musik Berlin, Georg KallweitPimpinone, TWV 21:15, Pt. 1: Chi mi vuol, son camerieraGeorg Philipp Telemann, Marie-Sophie Pollak, Akademie für Alte Musik Berlin, Georg KallweitD♭ Major13B139 BPM
Die Meistersinger von Nürnberg, Act 1, Scene 2: Der Meister Tön' und Weisen by Richard Wagner, Bernd Weikl, Cheryl Studer, Wolfgang Sawallisch, Bavarian State OrchestraDie Meistersinger von Nürnberg, Act 1, Scene 2: Der Meister Tön' und WeisenRichard Wagner, Bernd Weikl, Cheryl Studer, Wolfgang Sawallisch, Bavarian State OrchestraC Major38B81 BPM
ISRC
DEAQ72453009
Label
L-M Records/RCA Records

Section: 0.46477723121643066

End: 0.46981358528137207