"Dors, mon enfant, WWV 53 (Arr. Fontanelli for Voice and Ensemble)" by Richard Wagner, KammerMusikKöln, Kathrin Zukowski was released on April 19, 2024. The duration of Dors, mon enfant, WWV 53 (Arr. Fontanelli for Voice and Ensemble) is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Dors, mon enfant, WWV 53 (Arr. Fontanelli for Voice and Ensemble)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "The Wagner Project". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Dors, mon enfant, WWV 53 (Arr. Fontanelli for Voice and Ensemble) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dors, mon enfant, WWV 53 (Arr. Fontanelli for Voice and Ensemble) by Richard Wagner, KammerMusikKöln, Kathrin Zukowski having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Carnaval du Parnasse, Act II Scene 5: 1er & 2ème Airs | Jean-Joseph Cassanéa De Mondonville, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | F Minor | 4 | 4A | 141 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Numi, barbari Numi!" (Orfeo) | Christoph Willibald Gluck, Stefan Plewniak, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Götterdämmerung, WWV 86D / Act 1: Altgewohntes Geräusch raunt meinem Ohr in die Ferne | Richard Wagner, Birgit Nilsson, Christa Ludwig, Wiener Philharmoniker, Sir Georg Solti | G Major | 2 | 9B | 70 BPM | ||
Missa Paschalis, ZWV 7: Kyrie. Christe eleison | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Terry Wey | A♭ Major | 1 | 4B | 105 BPM | ||
Strozzi: L’amante segreto (Arr. Pluhar) | Barbara Strozzi, Christina Pluhar, L'Arpeggiata, Céline Scheen | C Major | 2 | 8B | 118 BPM | ||
Messe pour le sacre de Napoléon: III. Gloria, Laudamus te | Giovanni Paisiello, Sandrine Piau, Chantal Santon Jeffery, Éléonore Pancrazi, Mathias Vidal, Thomas Dolie, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | D Major | 2 | 10B | 76 BPM | ||
5 mélodies populaires grecques: No. 3, Quel galant m'est comparable | Radio Bratislava Symphony Orchestra, Paulina Stark, Dennis Burkh | G Major | 1 | 9B | 0 BPM | ||
Sogno (Arr. Bleton for Mezzosoprano and Guitar) | Paolo Tosti, Elina Garanca, Raphaël Feuillâtre | A♭ Major | 0 | 4B | 81 BPM | ||
Pimpinone, TWV 21:15, Pt. 1: Chi mi vuol, son cameriera | Georg Philipp Telemann, Marie-Sophie Pollak, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 139 BPM | ||
Die Meistersinger von Nürnberg, Act 1, Scene 2: Der Meister Tön' und Weisen | Richard Wagner, Bernd Weikl, Cheryl Studer, Wolfgang Sawallisch, Bavarian State Orchestra | C Major | 3 | 8B | 81 BPM |
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