"Die Meistersinger von Nürnberg, Act 1, Scene 2: Der Meister Tön' und Weisen" by Richard Wagner, Bernd Weikl, Cheryl Studer, Wolfgang Sawallisch, Bavarian State Orchestra was released on 1994. Since Die Meistersinger von Nürnberg, Act 1, Scene 2: Der Meister Tön' und Weisen is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Die Meistersinger by Richard Wagner, Bavarian State Orchestra, Wolfgang Sawallisch. The song's track number on the album is #7 out of 63 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Die Meistersinger von Nürnberg, Act 1, Scene 2: Der Meister Tön' und Weisen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Meistersinger von Nürnberg, Act 1, Scene 2: Der Meister Tön' und Weisen by Richard Wagner, Bernd Weikl, Cheryl Studer, Wolfgang Sawallisch, Bavarian State Orchestra has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Meistersinger von Nürnberg, Act 1, Scene 2: Der Meister Tön' und Weisen being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebeslieder-Walzer, Op.52 - Verses From "Polydora": 17. Nicht wandle, mein Licht, dort aussen | Johannes Brahms, Peter Schreier, Karl Engel, Wolfgang Sawallisch | D♭ Major | 0 | 3B | 68 BPM | ||
Elijah, Op.70, MWV A25 - German Text / Part 1: No.11: "Baal, erhöre uns!" | Felix Mendelssohn, MDR Leipzig Radio Chorus, Gewandhausorchester, Wolfgang Sawallisch | D Major | 4 | 10B | 102 BPM | ||
Das Rheingold, WWV 86A / Scene 2: "Was sinnt nun Wotan so wild?" | Richard Wagner, Set Svanholm, Kirsten Flagstad, Eberhard Wächter, Waldemar Kmentt, Wiener Philharmoniker, Sir Georg Solti | E♭ Minor | 1 | 2A | 85 BPM | ||
Strauss, R: Intermezzo, Op. 72, Act I, Scene 1: Verwandlung. Orchesterzwischenspiel | Richard Strauss, Lucia Popp, Wolfgang Sawallisch, Bavarian Radio Symphony Orchestra | F♯ Major | 3 | 2B | 137 BPM | ||
Strauss, R: Intermezzo, Op. 72, Act II, Scene 1: "Ach! Sie kennen sie nicht, Herr Justizrat!" (Commercial Counselor, Singer, Legal Counselor, Stroh, Robert) | Richard Strauss, Lucia Popp, Dietrich Fischer-Dieskau, Jörn Wilsing, Kurt Moll, Martin Finke, Raimund Grumbach, Wolfgang Sawallisch, Bavarian Radio Symphony Orchestra | F♯ Major | 3 | 2B | 137 BPM | ||
Symphony No. 2 in C Major, J. 51: II. Adagio ma non troppo | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch | C Major | 0 | 8B | 115 BPM | ||
Beethoven: Symphony No. 4 in B-Flat Major, Op. 60: III. Menuetto. Allegro vivace | Ludwig van Beethoven, Wolfgang Sawallisch, Royal Concertgebouw Orchestra | E♭ Minor | 0 | 2A | 81 BPM | ||
Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act I: He da! Was da? (dialogue: Tamino, Papageno, Damen) | Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch | D Minor | 2 | 7A | 78 BPM | ||
Elijah, Op.70, MWV A25 - German Text / Part 1: No.7: "Denn er hat seinen Engeln" | Felix Mendelssohn, Ingrid Wandelt, Annelies Burmeister, Christel Klug, Roswitha Trexler, Gewandhausorchester, Wolfgang Sawallisch | B Minor | 2 | 10A | 120 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act II: No. 13e, Dance of the Swans. Pas d'action | Pyotr Ilyich Tchaikovsky, Wolfgang Sawallisch, Philadelphia Orchestra | D Minor | 8 | 7A | 122 BPM |
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